The text that comes with Agata Pietron’s photographs of youth in Kiwanja and Rutshuru (North Kivu, Congo) flirts with the clichés (the Conrad reference; the brave missionaries; the photographer is a “muzungu” who “discovers” youth who are into R&B and rap, wearing “Chinese made sportswear knockoffs”; and despite the “absurd” circumstances people have “strong spirits”), but her portraits are striking, and introduce us to a music scene we won’t find on Youtube. More below:

And the full series on Pietron’s website.

Further Reading

Writing while black

The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.

The Mogadishu analogy

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.

Kwame Nkrumah today

New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.