Fofo-born Shokanti released a video this week in celebration of Cape Verdean Independence (slipping in those famous words by Amílcar Cabral at the very end). Above. You’ve noticed our blogging went into holiday mode but there’s always time for music. So 9 more below. Brazilian Kamau’s 21/12 finally gets a video; not surprisingly it’s another tribute to skate life:

Warongx (from Khayelitsha) live at Tagoras (Observatory, Cape Town; H/T Sixgun Gospel):

Ghana pop for northern summers. 5Five’s ‘Bossu Kena’:

And some Pan-African pop from Ruff N Smooth:

There seems to exist a standard script for how to record a music video as a diaspora artist on a visit somewhere on the continent (in this case, Abidjan), as Soprano and R.E.D.K. confirm:

And so do Sexion D’Assaut.

Neneh Cherry knows her MF Doom classics (H/T Sarah):

Cameroonian Jovi throws Tabu Ley Rochereau’s ‘Pitié’ in the mix:

True, Youssoupha did that better.

A remix from a different kind: Brussels-based débruit “sampling lost African VHS and reinterpreting discovered African melodies and rhythms.” Seriously though, his music is a lot more exciting than the selling line suggests:

And lastly, via Ricci, “Senegal’s political hip hop for effect”. Red Black:

Further Reading

Goodbye, Piassa

The demolition of an historic district in Addis Ababa shows a central contradiction of modernization: the desire to improve the country while devaluing its people and culture.

And do not hinder them

We hardly think of children as agents of change. At the height of 1980s apartheid repression in South Africa, a group of activists did and gave them the tool of print.

The new antisemitism?

Stripped of its veneer of nuance, Noah Feldman’s essay in ‘Time’ is another attempt to silence opponents of the Israeli state by smearing them as anti-Jewish racists.