The World of Congolese artist Pume Bylex

In the introduction to The World According to Bylex, Filip De Boeck and Koen Van Synghel describe the Congolese artist Pume Bylex as “not interested in the day-to-day reality of Kinshasa. [He] turns his attention to what lies beyond the horizon of the visible and the tangible (…) a world with perfection and harmony at its centre.”

Pume Bylex is showing new work at the Halle de la Gombe (Kinshasa) until April 28 and from May 23 to July 21 at the Revue Noire gallery (Paris).

Further Reading

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.