Gonçalo Mabunda’s chilling constructions are now on display at the Jack Bell gallery in London. His thrones (above) and faceless masks (below) are made from weapons used in Mozambique’s civil war. These designs make dark mockery of ergonomics: you wouldn’t want to put these masks on your face. There is some uncanny resemblance to Modernist assemblages, and the gallery notes make a connection with Cubists. An instructive comparison is Jacob Epstein’s The Rock Drill (1913-15), a prophetic monument to the horrific potentialities of modern industry. Mabunda’s work suggests a similar comparison, between the intensive wastefulness of war and the difficulties of post-conflict community projects. Above all, it seems a grim satire on the useless objects which adorn bad leadership.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.