Remember the Alabama Shakes–the best band of 2011. At the heart of the band is guitarist and singer Brittany Howard, described by my wife as “a cross between Janis Joplin and Amy Winehouse” when we saw them performing live in early December at the Mercury Lounge in Manhattan. Probably the best live gig I’ve seen in a while. At the Mercury Lounge we stood for long periods just staring at Howard working the mic. The rest of the band can play too. Anyway, in the video above you can see another one of Alabama Shakes more recent live performances–and Howard’s talents as a performer–captured on video. Go see them before they’re really famous.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.