The First Black Woman to win Sundance Best Director

Aava DuVernay leads a movement to organize African-American film festivals and secure theatrical releases for black independent films.

A still from Ava DuVernay's "Middle of Nowhere."

I used to run an annual post mocking Sundance’s offering of Africa-themed films or films by directors of African descent. (I didn’t bother last year, but here’s 2010’s version complete with a good dose of indignation.) It’s gotten slightly better, but Sundance still comes with the usual offerings of pirates, mostly films by Westerners (not a bad thing in itself, if they’re made well and with good stories) or about Westerners finding themselves or saving Africans. Anyway, there’s some news to celebrate from this year’s festival: the first woman director of African descent has won the award for Best Director for Dramatic Film at the festival. She is Ava DuVernay, director of the drama “Middle of Nowhere,” a film about a woman whose husband is incarcerated. See above for an interview with DuVernay on Sundance’s Youtube channel:

DuVernay is the right choice.

I saw DuVernay’s debut feature film, “I will follow,” a beautifully filmed, languid contemplation on death and family, at a New School film conference last year.  DuVernay is also a leading figure in a movement to organize African-American film festivals and orchestrate theatrical releases for black independent films, usually  neglected by mainstream advertising and theaters. Maybe things will get better for black women filmmakers in the U.S. now. Congratulations to her. Here‘s a video interview at Sundance 2012 with DuVernay about “Middle of Nowhere.”

Further Reading

Repoliticizing a generation

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Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.