Three Kenyan videos to remember today’s Independence Day. Three popular tunes for our Independence meme. A ‘celebration’ of sorts turned out to be a useful lead for the first two. Madtraxx’s ‘Ida Waiter’ (with a nod to South African kwaito and that Prodigy video):
Camp Mulla’s making a buzz lately. What with ‘Party Don’t Stop’:
And Mejja’s going where few other popular Kenyan artists dare to go in ‘Landlord’ — talking politics (“usiniharibie siku bana landlord”):
Percival Everett’s novel ‘Erasure’ raised questions about Black middle-class complicity in commodifying the traumas of Black working-class lives, but the film adaptation leaves little room to explore these tensions.
Looking back at 20 years of research-based practice in Ghana, Jesse Weaver Shipley’s latest exhibition blurs the distinction between political rebels and artists.
From Namibia to Armenia, and from Rwanda to Bosnia, the perpetrators of mass murder said they were acting in self-defense.
In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.
Dar Es Salaam’s Kariakoo derby is fast becoming the continent’s biggest.
South Africa, thirty-years after 1994.
One man’s mission to reclaim Somali material culture.
New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.
To see Kaouther Ben Hania’s latest film as condoning the West’s orientalism is to to ignore the agency of the women in it.
We are failing every day to force a ceasefire and stop the genocide. But failure is not an option. We must refocus this moment.
We need to envisage a future where colonial privileges between the Jordan River and the Mediterranean sea are completely dismantled.
Why are Kenya’s doctor’s on strike?
Far from democratic institutions, a study of Israeli universities reveals that they are, in fact, directly and actively complicit in Israeli apartheid and racial rule.
With regional and global powers keen to take advantage of the DRC’s mineral wealth, it is hard to see how things can get better for the country in the short and medium term.
The theme for this year’s Venice Biennale, the ‘olympics of the art world’ is ‘Foreigners Everywhere.’ But beyond representation, what are the barriers to participation?
Who else sorely misses the 2023 Africa Cup of Nations? Re-live the excitement from the stands in a short video by the AIAC team.
What do computer generated images tell us about the evolution of coloniality and racialization in the AI era?
Right-wing populists in South Africa have started copying their American counterparts by calling for a border wall.
When Haiti’s national women’s team take to the field for ninety minutes, they allow the Haitian people to dream.
South African anti-apartheid revolutionary Robert Sobukwe is often understood as a black nationalist. So what should we make of his close friendship with a white liberal?