October is Black History Month

A group of British hip-hop and grime artists are determined to wrench back Black History Month there and in the US from the cynics.

Mandela statue at Southbank Centre in London. Image credit Paul Simpson via Flickr.

What started in the United States in 1926 as “Negro History Week” to promote awareness of African-American history to the U.S. public in 1976 morphed into “Black History Month,” and some people will still celebrate it there – and in Canada – during February. The UK does so during October. Be that on a slightly smaller budget courtesy of London’s lord mayor Boris Johnson. As The Guardian reported last February, “[f]igures seen by the Guardian show that the London mayor cut funding for Black History Month, a series of events staged in October to celebrate black culture in the capital, from £132,000 to £10,000, though city hall insists the previous figure was £76,000. Africa Day’s £100,000 grant from the London Development Agency was axed completely.”

Nevertheless, I can’t remember coming across similar events on this side of the Channel.

Some criticize it for being turned into a commercial sham like critics do in the United States or for being silent on black history’s symbiotic relationship with white history. Still, the group of English hip-hop and grime artists in the video at the link at the end seems determined to wrench it back from the cynics, paying tribute along the way to Maurice Bishop (remember him), Rosa Parks, Patrice Lumumba, Steve Biko, Emmett Till, Shaka Zulu, Malcolm X, Benjamin Banneker, Nat Turner, Mamadou Diallo, Marcus Garvey, Harriet Tubman, Khalid Abdul Muhammad and others. Watch till the end.

It may all sound like Afrika Bambataa, early Public Enemy, and Native Tongues, but they’re keeping it topical: “Our truths they hid it well. If we knew ourselves, would so many sit in a cell? When Europe influences African affairs that Africa has in Europe, we can talk about a world that’s fair.”

This is Black History.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.