AfricaIs aCountry

Occupy Africa

Africa Is a Country Podcast
African Five-a-Side Podcast

Occupy Africa

By
Sean Jacobs

Last week on Columbus Day, Sahara Reporters, the Nigeria-focused New York City-based website, sent a crew down to Zucoti Park where anti-Wall Street protesters are camping out.

There they filmed Olga El, who runs “a dance theater for social change.” Topless (it’s legal in New York City), she went on about representing for Africa and native people against imperialism. Her ancestors “are from all over Africa and native American.” As for her outfit, it was “a fusion of things going on in my outfit.”

Earlier today, Ikenna of What’s Up Africa, pointed to some of the craziness in the video by Sahara Reporters:

http://www.youtube.com/watch?v=xMuPFvNjjjE

Stop when Ikenna goes for Judge Hatchet. (BTW, we did here. )

Back to Olga.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.