[youtube=http://www.youtube.com/watch?v=TJMzeQicAh8&w=600&=369]

While watching out for Fifa 12, I got distracted by this Youtube “commercial” for  another video game, “Slavery: The Game.”  Within days it had half a million views. Watch the trailer above. It just seemed to absurd to be true. There was a a website, with a video, ways for you to share it on social media and a phone number. A few websites checked the phone number and the company listed as developer and found it did not exist. They also reasoned retailers here wouldn’t carry it because of its offensive nature. But some commenters on Youtube were actually excited by the prospect of capturing, torturing and making profits off slaves. I suspected if it was the work of Adbusters or The Yes Men.

 It turned out it was a viral campaign for a Dutch TV series about slavery. Clever.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.