http://www.youtube.com/watch?v=LTRmpJ_EpJE

Dub Colossus member Samuel Yirga “plays one night a week in Addis’s only jazz club/coffee bar, where the way he mixes Keith Jarrett and Herbie Hancock with Ethiojazz has won him a cult following.” He says:

I take traditional music and turn it around, and people in Ethiopia are starting to listen to the way it swings now. Our musical culture is under attack from inside and out, it’s all rock bands, hip-hop groups and pop singers, and nobody can afford to run a big band.

Via Real World Records.

Further Reading

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.