Since we are on a roll with Woodstock, Cape Town, here’s a profile of graffiti artist Freddy Sam (government name: Ricky-Lee Gordon) by the same people who brought you the shaky cam and hyper-bright colors. We like it. The art and the film.
Below are images (from Freddy Sam’s Flickr stream) of some of the work featured in the video:
H/T: Nerina Penzhorn
From Iraq to Gaza, empire no longer needs to annihilate populations when it can dismantle the very structures that make collective life possible.
In Najaax Harun’s paintings, the self confronts its own reflection—haunted, tender, and unafraid to transform.
Made just as Sudan descended into war, ‘Khartoum’ captures the beauty, pain, and humanity of a city shaken by violence—and the filmmakers who became refugees alongside their subjects.
From indirect rule to Operation Dudula, the lines dividing citizen from stranger trace back to the way empire organized identity and labor.
Francesca Albanese’s visit to South Africa exposed a truth we prefer not to face: that our moral witness has hardened into ritual. We watch, we clap, we call it solidarity.
Nairobi’s cultural moment reflects both the promise of continental imagination and the anxiety of performing arrival for the world’s gaze.
Hurricane Melissa made clear what COP30 obscures: the climate crisis still follows the lines of empire.
In Tanzania, the Gen Z uprising meets a state whose old bargains have collapsed.
The death of Kenya’s most enduring opposition leader invites a reckoning—not only with his contradictions, but with what his long struggle reveals about the unfinished work of liberation.
Inside the crumbling walls of Nigeria’s Old Secretariat, echoes of colonial governance and national awakening meet the silence of decay.
In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.
Far-right and pro-Israel actors are recasting Nigeria’s insecurity as sectarian extermination to distract from Palestine.
Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.
Assimi Goïta’s regime has built its legitimacy on defiance of the West and promises of renewal. But with increasing internal pressure, a turn to Moscow risks deepened dependency.
When Cabo Verde qualified for the World Cup, celebrations erupted from Praia to Rotterdam. The Blue Sharks’ rise shows how a scattered people built a global team rooted in home.
As Morocco prepares to host AFCON and the 2030 World Cup, a decentralized youth movement is demanding real investment in public services over sporting spectacle.
In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.
At our first workshop from our festival in Nairobi, The Elephant’s Joe Kobuthi, reflected on a year since #EndFinanceBill.
A reflection on traveling through the globalized walled city.
The passing of the pioneering South African writer and critic leaves behind a body of work that challenged racial mythologies, unsettled identity politics, and grounded transhistorical vision in the particulars of place.