The Johannesburg filmmaker Cedric Sundstrom has been working on a documentary film on the history of cinema in South Africa.  The South African-based movie review show “The Admiral and Akin” has put the trailer of Sundstrom’s film online. (That’s it above.) They also interviewed him on the show. You can only see the the episode trailer on Youtube.*

Anyway, I would love to see Sundstrom’s finished film. In Darkest Hollywood,” which came out in 1994 already.

Here‘s a link to an earlier three-part print interview with Sundstrom by the Gauteng Film Board about the broad outlines of that film history.  We notice that cinema/film in South Africa’s earlier roots mimicks American and British cinema (segregated screens, Westerns dominated, etcetera; an American emigrant played a central role in developing a studio system in South Africa), that the industry focused exclusively on the lives of whites–“Boers and Brits”–in the first half of the 20th century, that Afrikaner cinema (heavily state-subsidized dominated after World War II), the emergence of anti-apartheid films in the mid-1960s alongside ethnic comedies and slapstick films, and finally the turn to Hollywood after Apartheid.

* On a sidenote, I have suggested the Admiral and Akin put the episodes of their show online as soon as it done broadcasting them on African satellite TV.  Mainly for the the benefits of those living outside the continent. But even more since the show seems to be the only place where for example, director Zola Maseko would recently make this kind of public statement: “South Africa’s film industry remains the last bastion of white supremacy.”

Further Reading

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.