Bridging the Western art world and the West African film industry, London-based artist Doug Fishbone cast himself as a local farmer in the film Elmina, a feature-length movie shot and produced in Ghana and starring well-known Ghanaian actors. The over-the-top story is rife with witchcraft, murder, and intrigue as the characters battle against corrupt multinational corporations, but it all pales in comparison to how bizarre (sometimes painfully and sometimes amusingly) it is to watch Fishbone, “a white Jewish guy from New York,” play the lead role without any reference to the overtly odd casting choice. “In a quietly radical way [it] completely overturns conventions of race and representation,” he says. Adding another level of interest is Fishbone’s choice to release the film throughout Africa on DVD–planting one foot in mass-media–as well as to put it on limited display at the Tate Britain and Rokeby galleries in London–planting the other in the more limited art world.

From the little I’ve read I like the politics behind this project, but I’d like to hear what others think of it.  Here’s the film’s trailer:


[youtube=http://www.youtube.com/watch?v=3VdcYp8neDg]

Via [H/T: Nerina Penzhorn]

Further Reading

Writing while black

The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.

The Mogadishu analogy

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.

Kwame Nkrumah today

New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.