[youtube=http://www.youtube.com/watch?v=WvCjZ6gThyY&w=500&h=307&rel=0]

The video for the Dominican merengue singer, Rita Indiana‘s “El Juidero,” the title track of her October 2010 release. The video for the song (a narrative about escaping to Puerto Rico), “… plays like a short film, a 1970s crime movie fantasy with heavy doses of “El Malo”-era Fania style, real-life Dominican political intrigue,” wrote New York City journalist Carolina Gonzalez (in “The Daily News” last December). It features a cameo by veteran merengue musician Johnny Ventura and was directed by Indiana’s frequent collaborator and girlfriend, Puerto Rican filmmaker Noelia Quintero.

Further Reading

Writing while black

The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.

The Mogadishu analogy

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.

Kwame Nkrumah today

New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.