Africa in black and white in the 1970s

Preview (and more information in French) of images from the exhibition, “The Ritual of the pose–Africa in black and white in the 1970s,” consisting of studio photographs  by Malian photographer Malick Sidibe and his Senegalese counterpart Oumar Ly, now on show (till November 27th) at the Musée des Arts Derniers in Paris. The one above is by Sidibe.

Further Reading

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.