Preview (and more information in French) of images from the exhibition, “The Ritual of the pose–Africa in black and white in the 1970s,” consisting of studio photographs by Malian photographer Malick Sidibe and his Senegalese counterpart Oumar Ly, now on show (till November 27th) at the Musée des Arts Derniers in Paris. The one above is by Sidibe.
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A photo essay on Nigeria’s Durbars and the power of royal pageantry.
Half a century after the Soviets built their base on the Gulf of Aden, the same strategic coastline is once more drawing in foreign powers, old and new.
The country that once produced some of Africa’s fiercest moral voices now struggles to sustain independent thought.
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Africa’s first G20 presidency could mark a turning point for the continent—or simply another performance of green-washed extraction led by mining elites.
From Iraq to Gaza, empire no longer needs to annihilate populations when it can dismantle the very structures that make collective life possible.
In Najaax Harun’s paintings, the self confronts its own reflection—haunted, tender, and unafraid to transform.
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From indirect rule to Operation Dudula, the lines dividing citizen from stranger trace back to the way empire organized identity and labor.
Francesca Albanese’s visit to South Africa exposed a truth we prefer not to face: that our moral witness has hardened into ritual. We watch, we clap, we call it solidarity.
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