Long before Sun City there was this kind of thing.

From Time Magazine, June 1, 1962:

Composer Igor Stravinsky was conducting the South African Broadcasting Corp.’s symphony orchestra [that’s the state broadcaster] in the first of five concerts for whites only (a sixth was reserved for blacks). Stravinsky had asked that seating be integrated, but the broadcasting authorities coldly refused. The maestro’s opinion: “Music takes precedence over politics. I don’t think about these things because it is outside my competence. I have so many other things to think about.”

h/t: Suren Pillay

Further Reading

An unfinished project

Christian theology was appropriated to play an integral role in the justifying apartheid’s racist ideology. Black theologians resisted through a theology of the oppressed.

Writing while black

The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.

The Mogadishu analogy

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.

Kwame Nkrumah today

New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.