Africa Is a Country

'Welcome to South Africa'

Africa Is a Country Podcast
African Five-a-Side Podcast

'Welcome to South Africa'

By
Sean Jacobs

[youtube=http://www.youtube.com/watch?v=tYrSn3pL8Ws&w=500&h=307&rel=0]

It’s hard to describe the vibe here. Yes, there’s the unreasonable expectations around the team (captured well by my man Tony Karon on Time magazine’s World Cup blog) and the vuvuzelas may be annoying. But yes you can feel it. It is the World Cup. And away from the big stadiums and the tourist districts and downtowns–I spent some time today in central Cape Town with my 4 year old and shouting out Chilean and Algerian fans–there is a lot of spirit (gees, the Afrikaans word for spirit, is the preferred term here) as this short video by The Fader show. The magazine has some deal with Nike to produce an online documentary series on “… the music, art and culture of South Africa in 2010.” Blk Jks and some local groups are thrown in for good effect.

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— Sean Jacobs

Further Reading

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O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

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From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.

After the uprising

Following two years of mass protest, Kenya stands at a crossroads. A new generation of organizers is confronting an old question: how do you turn revolt into lasting change? Sungu Oyoo joins the AIAC podcast to discuss the vision of Kenya’s radical left.

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.