The Guardian of Malawi

IFPRI, via Flickr CC.

If you find yourself at a cocktail party this weekend where you may be required to demonstrate your worldly intelligence to the other guests, then The Guardian‘s “Pass notes” series is for you. A complete (and short!) guide to the most important issues of the day.

Because Africa is sure to be a hot topic (isn’t it always?), you can expect that someone will bring up this week’s conviction of Malawian couple Steven Mongeza and Tiwonge Chimbalanga for so-called “unnatural acts.” You, of course, will not be caught unawares, thanks to Pass notes 2,783: Malawi. In less time than it takes to look up the country on a map, you’ll learn that it is known as the “warm heart of Africa,” that celebrities like love the children there, and that negative attitudes towards homosexuality in Africa are your fault. In the event you are not quite sure what to say, The Guardian has you covered on that too:

Do say: “Colonial legacy or not, I object.”

Don’t say: “Do you think they’ll let David and Simon adopt?”

This is not funny.

Further Reading

After the coups

Without institutional foundations or credible partners, the Alliance of Sahelian States risks becoming the latest failed experiment in regional integration.

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.