Singer Rokia Traoré speaking truth to The Times of London:

“… Some Europeans who love Africa love it for exoticism … Anything modern doesn’t interest them. I don’t know why they don’t realize that the traditional and the modern can exist alongside each other. I think they have an image of Africa which they don’t want to change. It’s horrible. It’s the same all over Europe, but France is the worst because here there’s that pretension of knowing Africa.

If they tried to think about it objectively they would be ashamed of themselves. They have decided how African music is supposed to be. So, when a European musician goes to Africa to make a record because he wants a different sound, then it’s amazing, it’s genius. But when an African does something with a European inspiration, it’s not normal.”

Further Reading

Writing while black

The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.

The Mogadishu analogy

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.

Kwame Nkrumah today

New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.