Singer Rokia Traoré speaking truth to The Times of London:

“… Some Europeans who love Africa love it for exoticism … Anything modern doesn’t interest them. I don’t know why they don’t realize that the traditional and the modern can exist alongside each other. I think they have an image of Africa which they don’t want to change. It’s horrible. It’s the same all over Europe, but France is the worst because here there’s that pretension of knowing Africa.

If they tried to think about it objectively they would be ashamed of themselves. They have decided how African music is supposed to be. So, when a European musician goes to Africa to make a record because he wants a different sound, then it’s amazing, it’s genius. But when an African does something with a European inspiration, it’s not normal.”

Further Reading

After the coups

Without institutional foundations or credible partners, the Alliance of Sahelian States risks becoming the latest failed experiment in regional integration.

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.