Bill T Jones’ “Fela!,” the musical interpretation of the life of the Afrobeat king, is up for 11 Tony Awards–the most of any show this year–including Best Musical.  I haven’t seen any of the other shows up for contention, but I can attest to the brilliance of the show. From Jones’ direction, to the acting of the leads Sahr Ngauajah and Lilias White, the set, the music and the dancers, and the  Well done. (I won’t get drawn into debates again about the show’s premise or omissions, whether ridiculous charges of minstrelsy or revisionism about Fela’s backward sexual politics.)

Well done.

Watch the announcements on The Tony Awards website just to hear actor Jeff Daniels–announcing the nominees–mangling the show’s title: “Feel-laa.”

Further Reading

Writing while black

The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.

The Mogadishu analogy

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.

Kwame Nkrumah today

New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.