The Lost Bushmen

It is still okay to create the most objectionable stereotypes about certain Africans and for it to be considered fine. This time: India.

Stills from the four ads for Parle Agro campaign.

An Indian soft drink company, Parle Agro, is marketing a new soft drink, called LMN, with a series of  5 TV commercial series titled “Lost Bushmen” set “… in the [Bushmen’s] natural habitat of the Kalahari Dessert.” Serious. Just watch. Here’s another one.  And one more.

They were proud to announce that they got inspiration for these objectionable stereotypes about the Bushmen from the film, “The Gods Must Be Crazy,” first made for the entertainment of white South African audiences under Apartheid and which became an international hit franchise in the 1980s, confirming just how widely held racist views of the Bushmen are held, but masking South African colonialism in Namibia.

And for all the claims of the filmmakers of the Indian commercials that “the Bushmen” were “specially flown in,” some of the actors seen in the videos (above and below) are clearly in black face (with cork-like black make-up and or hair pieces). They’re playing “Bushmen.” It also turns out the commercials were shot in “… in a barren region in the interiors of Thailand.”

These racist stereotypes are praised by ad industry types (particularly in India) as “hilarious” and “edgy.”

You really can’t make these things up.

 

Further Reading

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.