I am tired of doing this. Because it is getting predictable. The top-heavy and scattered Tribeca Film Festival starts tomorrow. There’s three Africa-related films on the schedule (correct me if my research was shoddy): a short from South Africa (“Father Christmas doesn’t come here“), a documentary about Rwanda’s genocide and a film that looks like being about the midlife crisis of an American in Cairo (above). There’s also two other films in which Africa is a part-focus (on deaths in child birth and on climate change). I know. Even worse, this is the fourth year (?) that Tribeca decided to partner with ESPN to show sports films. If you’re wondering there’s one sports film with a soccer theme: a film about the connection between the murders of the Colombian drug dealer, Pablo Escobar, and the football player, Andres Escobar, who was murdered 10 days after he scored an own goal for Colombia against the US in the 1994 World Cup.  I know. It had to have something to do with the US. Oh, and these are films already shown as part of ESPN’s 30th year anniversary on television.

Further Reading

Writing while black

Percival Everett’s novel ‘Erasure’ raised questions about Black middle-class complicity in commodifying the traumas of Black working-class lives, but the film adaptation leaves little room to explore these tensions.

The Mogadishu analogy

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.

Kwame Nkrumah today

New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.