‘Vanité Apparente’, the exhibition of recent work by Congolese artist Yves Sambu — bringing together his interest in contemporary sapeurs and cemeteries — runs until February 24 in Brussels. Sometimes a good antidote to the colorful portrayal of the ‘Society of Tastemakers and Elegant People’ (think of the photographs by Héctor Mediavilla Sabaté, Daniele Tamagni or Baudouin Mouanda) works refreshing.

Further Reading

No more caricatures

Engaging seriously with Winnie Madikizela-Mandela’s life could help us understand how South Africa got where it is and where it’s going.