3437
4 mins read

Film: Vivian Maier’s 100,000 photographs

Vivian Maier, the nanny turned street photographer, who has found fame posthumously, now a subject of the documentary ‘Finding Vivian Maier’ (trailer below), was a recluse in the exaggerated form……

2389
2 mins read

Remembering Sathima Bea Benjamin

“Hi Rashid, is it true?”, “Yes Matt she is on the other side.” With what feels like a physical blow to the body I try to make sense of it…..

1 min read

Party Business

With the help of Bunce Booking and Africa is a Country, Dutty Artz presents the 2nd iteration of the Change The Mood series: Africans Are Real.

12 mins read

Interview: Baloji

New York is an amazing city, especially from a hip-hop perspective. It’s one of the few places on earth where you can see that hip-hop is part of the culture, not just something that you watch on TV. But for me – doing music that is mostly in French and not in some Congolese language that sounds exotic for Western people – it’s a difficult market. I take everything that happens here like a plus one. I’m not supposed to be here.

1011
2 mins read

‘Restless City’ at the 19th New York African Film Festival

Towards the final scenes of Restless City, Jessye Norman’s solo soprano voice scales the great buildings and the conveyor belts of vehicles, between all of which a small red scooter navigates, carrying the slim bodies of Djibril and Trina. They are here, in this city, with all their desires clenched in their mouths. It is Norman’s voice, following the music composed by Richard Strauss to the poetry of Herman Hesse, that lifts our two immigrants’ desires up on the currents of her song, skylarks freed into the night sky.