Some African Cup of Nations History


This item, below, from The Guardian’s (excellent) Sports Blog’s weekly round-up of Youtube videos (basically random stuff they dug up from the history of sports) can help get you into the mood for today’s last first round matches:

With the Africa Cup of Nations in full swing, what better time to look back at some of the tournament’s standout matches and moments. In the 86th minute of the 1998 third-place play-off Ibrahima Talle put the host nation Burkina Faso 4-1 up against DR Congo. Sparked by a horrendous piece of goalkeeping, what happens in the next 180 seconds of play is remarkableCongo would go on to win on penalties; In a similar vein, one of the best games of the 2010 edition was Mali’s comeback from 4-0 down in the last 12 minutes against Angola (well worth watching for the commentator’s evil-supervillain laugh as the equaliser goes in); The 1992 final that ended 11-10 on penalties; One of the best goals scored in a Cup of Nations final – Chérif Oudjani hammering home after a nine-pass move to secure Algeria their first ever title in 1990 in front of a six-figure crowd in Algiers; Zaire’s Mulamba Ndaye [that's him above in a recent picture] still holds the record for goals scored in a single tournament with nine in 1974 – including both goals in the final. From way back in 1968 – highlights of the final between Congo and Ghana (featuring a unique bit of ‘stretchering off’). And last but not least, here’s Mido calmly accepting his substitution in the 2006 semi-final.

Music Break. Woklow

Malinese rapper Amkoullel gets some help from Pap G and Young Keitch in his “battle between good and evil.” The track itself is so-so, but it did remind us we should soon write a post about the increasing use of sci-fi and horror elements in (fairly) recent music videos and films — which would include Matthew Jankes’s Umkhungo, Niyi Akinmolayan’s Kajola and Jean-Pierre Bekolo’s Les Saignants, amongst others.

Oh Amadou

I think it was 2005 when I first saw Amadou & Mariam play live. At the local summer festival in Brussels, the tent was pretty much empty when they walked on stage. An hour later, toward the end of their set, it was packed with people having to squeeze hard to find themselves a decent spot. At the time, a friend who was familiar with their early work (I wasn’t) said he didn’t like what Manu Chao, the producer of their international break-through album Dimanche à Bamako, had done with their sound. [Read more...]

Music Break. Kouyaté-Neerman

We read that the balafon is being considered for inclusion on Unesco’s Intangible Cultural Heritage list. Lansiné Kouyaté knows how to play it.

‘Emerging’ Photographers

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“Making French money isn’t easy”

Mamani Keita arrived in Paris in the late eighties as a backing vocalist for Salif Keita. And ended up staying. “Making French money isn’t easy,” she sings. It’s the title track of her new album with music by Parisian instrumentalist Nicolas Repac.

Music Break / Fatoumata Diawara

Easy listening. ‘Bassa’ is a song by the Côte d’Ivoire-born, Mali-raised and now France-based artist Fatoumate Diawara. We could use a translation — because maybe it’s no easy listening at all. Anyone?

An American Singer in Mali

Collaborations between American and West African, specifically Malian, musicians are nothing new (see below). But, Adam Klein, a successful American folk musician from Georgia who has a long association with Mali (the locals call him by the name Lassine Kouyate) plans that and more: Klein is working on an album with Malian musicians that will do three things that together will present a new departure in these kinds of collaborations: that is blend “… rustic acoustic Mande music with American roots music,” records the music in Mali and plans to perform an entire record of original songs “in Bambara with traditional instrumentation.” He is also making a documentary film.  I sent Klein some questions about the project.

Can you tell us more about the project?

I travelled to Mali in early 2010 to record an album of original songs in the Mande style, sung in Bambara, accompanied by traditional Malian and West African instrumentation such as kora, ngoni, calabash, tama (talking drum), djembe, and more. I also brought filmmaker Jason Miller of Eikon Productions (LA via Georgia). Jason shot a making-of-the-record documentary film which includes footage of the recording sessions, footage from the village in which I served with Peace Corps [years before], glimpses into the lives of some of my close Malian friends, shots from the Festival sur le Niger in Segou, as well as interviews with various folks about Malian life, culture, and development. The main three narrative strands of the as-yet-unfinished and unnamed film include the making of the album, learning about the lives of Malians through my friends’ stories, and my personal struggle to remain connected with and supporting my Malian friends and community from afar. The album has not yet been released as I’ve intended to put it out packaged together with the film. It remains to be seen whether the film will be a 25-35 minute short or a tv-hour length piece.

[Read more...]

Medea is a Malian woman

By Dan Moshenberg

Did you hear about Medea? You know, the woman who killed her two kids? It turns out, according to the Associated Press, she lives in Mali, and her name is Coumba, or maybe Tabita. At any rate, she’s 18, a domestic worker in Bamako, and she did the unthinkable. She killed her child.

Why? Why does a woman do “the unthinkable”? There’s the question. According to the AP, it’s because women in Mali are trapped. A poor country where abortion is illegal, where contraception use is rare, women are forced first into abusive, low paying jobs, and in particular domestic work, and then suffer rape and pregnancy. They must then rely on the kindness of strangers to help them pull through. The result? For women in prison, the top three crimes are theft, assault, infanticide.

Mali is indeed a hard place. It suffers crushing poverty, is surrounded by weak and poor countries, is landlocked, and, perhaps most significantly, is on the verge of a population tsunami. Mali has one of the highest rates of annual population growth in the world. The capital, Bamako, may be the fastest growing city and, not surprisingly, is becoming one of the most expensive. This means the gap between haves and have-nots is also increasingly, quickly and massively. As if that weren’t enough, Mali is one of the most vulnerable places in the world to climate change. According to a recent report, Mali is hotspot for food insecurity due to climate change.

A dismal picture. And an incomplete one.

[Read more...]

Music Break / SMOD

SMOD (one of NPR’s “5 new African bands that ruled in 2010″) have written an ode to ‘the young girls of Mali’. Personally I think 2011 will be the year for them, touring heavily in Europe this summer.

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