AFRICA IS A COUNTRY

Madea

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Wednesday, April 21st, 2010

The World of Tyler Perry

Whatever The New Yorker’s rationale for commissioning a piece on Tyler Perry, the “critic-proof” producer and director of black popular theater and television (he is a darling of the mainstream), but it is good take on the race, sexual, moral and class politics of this present-day Oscar Micheaux who has formed a lucrative alliance with

Sunday, October 25th, 2009

COONERY