Wednesday, February 1st, 2012
It may be tempting to read Congolese-Belgian rapper Baloji's music as a relatively straightforward exercise in “indigenizing” or localizing hip-hop, but the story of his transnational musical moorings — especially his ambivalence toward Congolese pop — complicates such an interpretation.
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22 Dec 2012 at 9:00 am
A Cappella Slaves
3 Mar 2012 at 11:00 am
TIME Magazine and the “Africa is Ri...
26 Nov 2012 at 6:15 am
The Bubu King
6 Feb 2010 at 10:11 am
When Wikipedia gets to write Malawi...
18 Jan 2013 at 3:00 am
The District on Cape Town’s “Fringe...
17 Jun 2013 at 4:00 am
Africa is a Horse
3 Oct 2012 at 11:05 am
Zanele Muholi’s “Mo(u)rning” | Exh...
7 Sep 2012 at 10:50 am
The Economist’s Africa
12 Dec 2011 at 10:30 am
