Documentary films truncate an entire life into fleeting bursts of exuberance and somber moments. Any moments that exist in between, however significant they are, are left out completely or brushed over. In making a documentary, on any subject, the director carves a narrative. And at times, the narrative carves itself. The decision then to make a documentary on the astounding life of Fela Kuti is a brave one. What do you exclude? What do you include? And most importantly, what informs these decisions?