Inbox


It has come to this. Don’t focus too much on the ‘your scholarship’ line. An email from an American lawyer in my inbox:

I am writing to request your help in a matter based on your scholarship on South Africa. My immigration law firm is currently representing a family of white Afrikaner farmers who are seeking asylum and withholding of removal based on allegations that they are the victims of discrimination based on their race and political affiliation. We are seeking an expert witness who could testify to the current situation in South Africa and confirm that this family would indeed suffer similar persecution if they were to return … If you or anyone you know would be able to give us an expert opinion, please let me know. Your assistance in this matter is greatly appreciated.

Found Objects No.19

Born in London to a Moroccan mother and an Iraqi father, Tala Hadid completed her 12-minute short thesis film Your Dark Hair Ihsan in 2005. Recorded in Morocco and its Rif Mountains, the film was awarded the Cinecolor/Kodak Prize (2005) and the Panorama Best short Film Award at the Berlin Film Festival (2006).

The French Algerian Massacre

Today marks the 50th anniversary of the “French-Algerian Massacre,” when at least 200 Algerians living in Paris were killed by French police and another 11,000 or so were arrested while protesting for Algerian independence from France.

Nabila Ramdani (in The Guardian) reminds us that “many of the killers had been Nazi collaborators who learned their crowd control methods from the Gestapo” and not much has changed in terms of the living conditions and treatment of French-Algerians living in Paris today. Curfews in the banlieues (some of which were the sites of massive protest in 2005), unemployment, police brutality and abuse of the old Algerian war legislation prevent Algerian citizens of France from living freely.

The last time I was in Paris was during the 2006 World Cup (I was cheering on Zidane and my French is much better than my German). I had gone out with some friends who lived in Les Ulis, a banlieue which ironically houses many corporate headquarters. After a few hours of post-match euphoria, I decided it was time to go home … only to be informed that we were locked in the neighborhood for the evening.

The chains keeping poor residents in the projects are no surprise to anyone visiting France from a former African or Caribbean colony. Though France does not “officially” recognize race, the term “Muslim” has been bandied about for decades to describe the flood of ‘undesirable citizens’ from the colony to the metropole. While a number of Senegalese, Algerians and others do identify as Muslim, popular culture (such as Marie Ndiaye’s novel Trois femmes puissantes and Mathieu Kassovitz’s film La Haine) provides a more nuanced understanding of who receives second-class citizenship in the country, often, of their birth (Hint: They don’t look like Carla Bruni).

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A Sitcom Waiting to Happen

Non-Arabic speaking peoples have a tendency to lump “Arabs” together, as though racial and economic hierarchies don’t impact us as they do the rest of the world. The fact is, orientalism is common even in SWANA (South West Asia and North Africa) and it tends to be rooted in the same imperial racial and cultural classifications that the U.S., Canada and European nations invented and implemented all over the world. Divide and conquer. You get the picture.

Case in point: the most absurd news story I’ve seen this month. According to Nadim Kawach, reporting on behalf of Emirates 24/7, Saudi women are now “joining hands in another common cause—this time against the recruitment of housemaids from Morocco.” Why? A Saudi daily paper states:

Some of them said Moroccan women are so attractive that their husbands could easily fall for them … others said Moroccans are good at magic and sorcery and that this could enable them to lure their husbands.

Magic and sorcery. Right.

To its credit, Kawach’s piece does address some of the real problems migrant laborers, especially women, deal with in Saudi Arabia (not to mention the rest of the Middle East). But I would still like to nominate this for the 2011 SWANA Story Most Unrelated To The Arab Spring (And Reality) awards.

Things that bug me about Kenya(ns)

By Kweli,
Guest Blogger

The first thing that comes to mind is our unquestioning admiration and obsession with wealthy people. Our newspapers and magazines are chock-full of personal interviews of rich people. In these interviews, people born with silver spoons in their mouths often offer the average Kenyan advice on how to work hard and make it to the upper echelons of our dynastic society. This advice is usually offered with astonishing sincerity and a complete lack of irony.

Another annoying habit Kenyans have is their aggressive Christianity. Christianity is truly the opium of the average Kenyan. Christianity is more like product placement when the average Kenyan is speaking: the more he mentions God, the better his profit margin. But it’s not just enough for Kenyans to mention God; they are ever exorcising the devil, thwarting his plans and rebuking him. When the average Kenyan goes to a government office and he is denied service by some petty bureaucrat hoping to obtain a bribe before delivering the service, the Kenyan does not ask to speak to the manager. He does not protest. This is not a governance issue; this is spiritual warfare, a machination of the devil. So he goes to church on Sunday and prays hard that the devil and corruption be defeated. And while he’s at it, he prays also for poor, starving Turkana people in the North of the Rift Valley and all those emaciated hordes of people in North Eastern province that he learned about in primary and secondary school. He prays that God, the U.S. or the United Nations may deliver food aid to them. In Jesus name, Amen.

Along with Christianity come our newfound phobias: homophobia and Islamophobia.

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Dakar Hustle

Video for spoken word from Senegalese rapper Keyti–remember him? Keyti was one of the stars of Ben Herson’s 2009 documentary film about hip hop and politics in the Senegalese capital, “Democracy in Dakar.”  The video is directed by Magee McIlvaine.

Via Nomadic Wax.

“The African-Filipino Occupation”

Very much in the fashion of other democratic states, some Israelis have decided to take up the cause against social ills such as unemployment, crime and disease. How do they plan to do it? Not by addressing the realities of Occupied Palestine and a bloated security regime, making schools and hospitals more accessible for Israelis and Palestinians or instituting government reform for jobs and the economy. No, of course not. The solution these Israelis have decided upon? Attacking African and Filipino refugees, immigrants to Israel, as well as Israeli-born citizens, and demanding these ‘infiltrators’ be kicked out of the country. The video, above, is the work of Israeli journalist David Sheen–Sophia Azeb.

The Falcon of Qatar

The Spring Issue of Middle East arts magazine, Bidoun, is about sports. This includes a piece on “Kenyan long- and middle-distance runners who have found infamy and fortune as Arabized athletes in the Gulf” on $1000 a month for the rest of their lives. This comes with the “standard complement of elite trainers and cutting edge facilities.” These athletes, mostly men from Kenya, do not actually reside in the Gulf states, according to the article, only flying back to have their residence permits and passports renewed. The article describes the case of Saif Saaeed Shaheen of Qatar:

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The Motherland

The documentary film, Blacks Without Borders: Chasing the American Dream on Foreign Soil (2008, directed and produced by Stafford U. Bailey. Co-produced by Judy Thayer-Bailey)–which tells the story of a group of African-American professionals who immigrate to South Africa right after the end of legal Apartheid–is now on Youtube in its entirety. (It’s been since February last year). You can watch it in seven parts. Here‘s a link to part one.  Anyway, when the film first came out 3 years ago, I was asked to review it.  This what I wrote:

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‘Coming to America’

Writer Teju Cole– he has a new novel, “Open City”–talks and writes about identity and immigration to The New Yorker.

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