Breaking News from the Daily Mail: Lupita Nyong’o can play a sexpot onscreen, and not just roles that call on her to look downtrodden and enslaved. In an article with a title that leaves little to the imagination (“Before she was famous: Lingerie-clad Oscar winner Lupita Nyong’o juggled two men in sexually-charged Kenyan soap opera”), The Mail Online reveals that Nyong’o, whose “exotic beauty and heart-wrenching portrayal of tormented slave Patsey in 12 Years a Slave catapulted her into stardom” is “hiding” the dark secret of her sexy past as a soap actor in “Shuga, a sexually-charged MTV Base Africa soap opera in which she juggled two men.” Call the Oscar Police!
To British eyes the polished, high-gloss viral campaign of Invisible Children’s 26 minute video–with its high-end production, fast paced edits and expensive motion graphics–clearly favors the grabby style of American political campaign imagery, a style that is increasingly adopted in the British party political broadcasts too. It’s an immersive, yet distinctly oppressive style of polemic film making. But how are the rest of British media reporting and analyzing this business?