Wednesday, April 21st, 2010
Whatever The New Yorker’s rationale for commissioning a piece on Tyler Perry, the “critic-proof” producer and director of black popular theater and television (he is a darling of the mainstream), but it is good take on the race, sexual, moral and class politics of this present-day Oscar Micheaux who has formed a lucrative alliance with
Wednesday, December 30th, 2009
Film director Spike Lee speaks on black American popular culture.
Sunday, October 25th, 2009