The Relationship between Visual and Text

While we seem to spend an enormous amount of virtual space at AIAC critiquing the ways that Africa and Africans are represented, we do so because we believe that it is possible to subvert expectations, to create images that shatter myths and ideology and that make people think about why they are surprised by particular […]

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My Favorite Photographs N°16: Rui Sérgio Afonso

Born in Huambo but raised in Luanda, Rui Sérgio Afonso is one of my favorite Angolan photographers. The man is prolific on Instagram. After working for Angola’s biggest communications and marketing group, Grupo Executive de Angola (Executive Center), Sérgio is now a freelance photographer. He’s done extensive work with Angolan arts collective Geração 80. Here […]

Africa is a Great Country to Photograph

Swedish photographer and visual artist Jens Assur has spent ten months producing an exhibition of 40 enormous-size, large-format photographs chronicling structural patterns in the everyday life of twelve of Africa’s rapidly-changing urban centers, currently showing at the Liljevalchs konsthall in Stockholm. And by some coincidence, he’s gone for a title of similar intent as this blog’s: the […]

Apartheid in Manhattan: The International Center for Photography’s “Rise and Fall of Apartheid”

TREASON TRIAL TRIUMPH

The International Center for Photography (ICP) is located in the heart of Manhattan, at the corner of West 43rd Street and the Avenue of the Americas. Nearby, Times Square’s mirages—brilliant expanses of neon fantasies, some spanning the length of several stories and the breadth of entire city blocks—summon passers-by with images of athletes, models, slick […]

The Afronauts nominated for the Deutsche Börse Photography Prize

On April 19th, the Deutsche Börse photography prize will open at London’s Photographers’ Gallery. Awarded annually since 1996, the prize has an impressive list of recipients — Jeurgen Teller, Walid Raad, Paul Graham, John Stezaker, to name but a few. But it seems that, although the prize’s shortlist has always been international, the jury has shifted […]

The visibility of contemporary women artists in Africa

ur wife

Guest Post by Grace Benton There has been much written recently about the proliferation of the ‘Africa Issue’ amongst many contemporary art publications and journals. So, true to form, last week saw the launch of the latest volume of feminist art journal n.paradoxa at London gallery Tiwani Contemporary. And the volume’s theme? “Africa and its […]

Egyptian Graffiti and Gender Politics: An Interview with Soraya Morayef

Sit El Banat, stencil tribute to the women who were beaten, dragged and stamped on by military forces in December 2011. Copyright Suzee in the City.

Mickey Mouse is pulling apart a bomb: inside is the torso of George W. Bush, and they’re both looking perfectly happy about the whole thing. Soraya Morayef is taking a photo of the wall where these figures are painted, on a busy street in downtown Cairo, when a man walks up to her and asks […]

My Favorite Photographs N°15: Indira Mateta

Indira Mateta is a young Angolan photographer who is taking her first steps in professional photography, transforming her hobby into a promising career. In 2008 she won the BESA Award for Photography in Luanda and has since had her work appear at the Teatro Elinga, the Catholic University of Angola, Oscar Ribas University, Instituto Camões […]

Your Camera is Not a Toy: Photographing “Children From Around the World”

In 1995 Dorling Kinderlsey published a book, Children Just Like Us, sponsored by UNICEF, which brought pictures of children from “all over the world” into its pages, complete with facts and apparently direct quotations from the children (who all seem to speak perfect English). The book feels friendly, ecumenical: children certainly have some funny habits […]

Dutch artist Ruud van Empel talks about his art, including how to portray black children

About a month ago, we came across the ‘World’ series by Dutch photographer Ruud van Empel. Initially, his art stood out because of the ‘race’ and age of his models, the majority of whom are black children. Since the artist, as we soon learned, grew up in a small and rather homogeneously white southern Dutch town, […]

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