Congolese/South African (via Belgium) musician Yannick Ilunga, AKA Iamwaves, has been rather busy lately. His group Popskarr, a new ‘electronic/Nu Disco/Misty Pop’ outfit, has just released a stylish single called Fighter; and as his alter ego Petite Noir he has released a mixtape for Okayafrica’s ‘Africa in Your Earbuds’ series (which earned him a tweet shout out from Questlove of The Roots) and a new video for ‘Till We Ghosts’ (above). [Read more...]
Friday Bonus Music Break
Documentary–’I am Malawi’
‘I am Malawi’ is a short documentary by Geert Veuskens and Pieter de Vos. (Part 1 above, part 2 below.) Veuskens gave us some more details about their project:
[Read more...]
Sunday Bonus Music Break
Since Friday’s Special was reserved to Sierra Leone — and for archival purposes — here’s your Sunday Bonus. First up, above, from the same label that brought us Baloji, Konono N°1 and Staff Benda Billili comes a new recording by Jagwa Music: ‘Live in the Streets of Dar’ (es Salaam, Tanzania). [Read more...]
Sierra Leone Independence Day
Freedom Day in South Africa. Togo Independence Day. And Sierra Leone’s 51st Independence Day. That’s all today. We’ve been celebrating Freedom Day with music elsewhere today. So this post is for Sierra Leone. My current favorite song we played last week but there’s more: a Bajah and Dry Yai Crew song:
Shameless Self-Promotion: Chief Boima’s Many Identities
If you’re unfamiliar with my musical work, OkayAfrica.com recently did a profile on me for their web TV series.
Parisian Africa: The artistic intersections of the Métropole

Guest Post by Lara N. Dotson-Renta
Paris has always been renowned for its culture and support of the arts. Yet, as France has grown into an ever more pluralistic society, the traditional image of what constitutes art in France must evolve as well. Younger generations of artists, many immigrants of African origin, are now reconfiguring the arts in France on their own terms. Their artistic production embodies experiences of travel and adaptation via the integration of the cultures and traditions of their respective countries of origins along with aesthetic and quotidian experiences that reflect daily life in France. Particularly in the realm of music and film, the blending of African tradition with French popular culture and youth genres has fostered a vibrant arts scene that, while initially seen as of/from the margins of both society and the arts scene, is actually renewing ‘mainstream’ culture in dramatic ways. You just have to scan the pop music featured in Hinda Talhaoui’s Paris is a Continent Series on AIAC. One proponent of this new artistic vision is Alain Kasanda (Apkass), a Franco-Congolese musician, spoken word artist, and founder of the O’rigines Foundation and the Ghett’Out Francophone Film Festival. I interviewed Alain at the Trinity College International Hip-Hop Festival held in Hartford, CT, in March earlier this year. [Read more...]
Friday Bonus Music Break
Nowadays we’re doing multiple #musicbreaks on Twitter and Facebook when the spirits move us. We figured we’d put the ten favorite ones up every Friday as our #BonusMusicBreak. First up, old school jazz man Pharoah Sanders is still doing it. Here’s a video (uploaded this week on Youtube; recorded last year) of him and his band playing (and him getting down):
The racial politics of Tuareg nationalism
Friday Bonus Music Break
Mali’s on our mind. Mostly because of the confusion. Reports from Bamako abound, while there’s still very little information available from the north. Malian artists in the diaspora, it seems, are as confused. (Check Mokobe’s site for example.) Earlier this week, Tuareg band Tamikrest gave a shoutout to “our friend” Ben Zabo. (Is it true what his European label says? Is this “the first album ever to be released by a Malian of Bo descent”?) His hommage to Dounaké Koïta:
