Bom Boy

‘A thing had begun to grow like a tree in Leke’s throat.’ So begins Yewande Omotoso’s Bom Boy, a bright debut novel that sits comfortably in the realm of magic realism, somewhere between folklore, memoir and modern fiction. Leke Denton is the son of a Nigerian father and a “coloured” South African mother, who through uncontrollable circumstances gives baby Leke for adoption to a White Capetonian couple, the loving Jane and the well-meaning Marcus. After Jane dies due to a sudden illness, Leke is left even more lost in a city that specializes in alienation. [Read more...]

The Commonwealth Book Prize Shortlist


The Commonwealth Book Prize has just announced its shortlist. (Diarise: regional winners to be announced 22 May and overall winner on 8 June.) It promises to be a wonderful, wonderful collection of novels; and I’m excited to read many on this list over the summer. What does this list illustrate? At the risk of being knocked over the head for being a harbinger of re-hashed postcolonial critique, I’m still going to say it: does the Commonwealth Other consist solely of (largely white) South Africans and Indians, with a smattering from elsewhere (including a Zambian: yeay!; a Sri Lankan: a shoutout to the ancestors!; and a Pakistani)?

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Not the Caine Prize


Since 2004, Le Salon africain (part of the annual Geneva Book Fair) awards the Ahmadou Kourouma Prize to an ‘African oeuvre, essay or fiction that reflects the spirit of independence and creativity which is the heritage of [Ivorian novelist] Ahmadou Kourouma’. This year the Prize goes to Rwandan author Scholastique Mukasonga for her latest novel ‘Notre-Dame du Nil’. Of the past 8 winning books, not one is available in English: [Read more...]

The adventures of Tintin in the Land of the Law


Guest Post by Jogchum Vrielink
“Tintin,” the brainchild of the late Belgian cartoonist Georges Remi (better known as Hergé) is experiencing new and exciting adventures these days. Not just in the cinema, but in Belgian courts as well. A Brussels court has rejected the suit of a Congolese student and a minority organization to obtain a ban on the comic book ‘Tintin in the Congo.’ The main conclusions about the case: One, despite this outcome, the reasoning of the court jeopardizes free speech. And two, as regards the applicants: offensive as the comic may be, their recourse to the law is both misdirected and counterproductive. [Read more...]

South African writer Henrietta Rose-Innes’s Nineveh

Henrietta Rose-Innes (photo by Christine Fourie)

Nineveh, published late last year, is the latest book by South African writer Henrietta Rose-Innes. It’s a strange and apocalyptic tale about a swarm of insects which overruns a luxury housing development outside Cape Town, causing mayhem and destruction. A pest remover – named Katya Grubs – is called in but finds she has much more on her hands than just the bugs. Rose-Innes is a past winner of the Caine Prize for African writing and the SA PEN literary award. She is author of Homing (2010), an anthology of short stories, as well as two other novels: Shark’s Egg (2000) and The Rock Alphabet (2004). Nineveh has received widespread critical acclaim for the quality of the writing as well as the way it deals with contemporary political and environmental themes, with one reviewer calling it an innovative blend of the comic, the gothic and the social realist. I asked her 5 questions. [Read more...]

Germany’s Namibian Legacy


So the Bundestag have once again refused to acknowledge that the systematic murders of four ethnic groups in Namibia between 1904 and 1908 wasn’t genocide.  Late last month, March 22, the German parliament debated a motion proposed by the Left party to officially recognise the genocide which took place in Namibia between 1904 and 1908. The Namibian confirmed that the motion has been overturned. It is not a coincidence that in a review of Sebastian Conrad’s book German Colonialism: A Short History, Richard J. Evans notes that evidence of this history can be seen in present-day Namibia: “If you go to Windhoek in Namibia, you can still pick up a copy of the Allgemeine Zeitung, a newspaper which caters for the remaining German-speaking residents of the town. … In Tanzania, you can stay in the lakeside town of Wiedhafen. If you’re a businessman wanting to bulk buy palm oil in Cameroon, the Woermann plantations are still the place to go. In eastern Ghana, German-style buildings that once belonged to the colony of Togo are now advertised as tourist attractions.” (London Review of Books)  German colonialism in Africa, obscured by the comparatively more substantial colonies of other European countries and numerically superior crimes of the Nazi genocide, occupies a diminished place in German national guilt.

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The Jacob Zuma Era


Coming on June 1 is Northwestern University journalist professor Doug Foster’s new book, After Mandela: The Struggle for Freedom in Postapartheid South Africa. The book is published by WW Norton in New York City. The title is unoriginal (Financial Times’s Alec Russell had the same title) but should not take away from what I think will be an excellent first take on Jacob Zuma’s presidency. Norton is marketing it as “the most important historical and journalistic portrait to date of a teetering nation whose destiny will determine the fate of a continent.” They promise that Doug has had “early, unprecedented access” to President Zuma as well as to “the next generation in the Mandela family.” The book is based on six years worth of interviews. I am looking forward to reading it. Here to remind you of Doug’s style are excerpts from a 2009 profile of Jacob Zuma in The Atlantic Monthly. [Read more...]

Africa is a Country; the academic edition


Between them Wayne Marshall and Martin Murray pointed me to these 2 panels at the recent annual meeting of the American Geographical Association that took place here in New York City: [Read more...]

New book on ‘how modern Africa reshaped jazz’

Following his lengthy Thelonius Monk biography, historian Robin DG Kelley, has a new book, “Africa Speaks, America Answers,” on how “modern Africa reshaped jazz, how modern jazz helped form a new African identity, and how musical convergences and crossings altered the politics and culture of both continents.” The book covers the careers of four artists. Ghanaian drummer Guy Warren and South African jazz singer Sathima Bea Benjamin* — who both made careers in the United States — are featured. The African-Americans Randy Weston (piano) and Ahmed Abdul Malik (bassist) make up the rest.

[Read more...]

Marrakech Biennale looks North

Kicking off this week is the 4th Marrakech Biennale. The opening days will see performances, debates, talks and screenings as well as the opening of the main ‘Higher Atlas’ visual arts exhibition. “Through partnerships with African and international voices,” the Biennale hopes to “promote the status of the artist and contemporary culture in North Africa and to dynamize the regional creative scene.” Looking at the list of artists participating in the Higher Atlas exhibition, one could get the impression the intended “dialogues that [will] produce new, consensual realities” will most likely reflect a North Atlantic triangular reality with a tiny Moroccan base, since most of the contributing artists are European or American. The Moroccan artists that were included are Younes Baba-Ali, Faouzi Laatiris and Hassan Darsi. South of Morocco, they seem to have only found one artist: Pascale Marthine Tayou. So much for the African voices. [Read more...]

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