From Zetina Mosia’s upcoming album “The RoundAbout”, this track: ‘Lately’. We’ve said this before, but the Johannesburg label Iapetus is an exceptional breeding ground for South African artists — remember Fifi the Rai Blaster, Yugen Blakrok, Robo the Technician or Gin i Grindith — with a special mention for Kanif, the producer behind many of the songs.
Friday Music Bonus Edition
It’s a mixed bag this week. Kenyan artist Ato Malinda created a video for one of the tracks of last year’s BLNRB album (music is by the Teichmann Brothers, vocals are by Alai K):
Shameless Self-Promotion
So I released an album this week, and shot my first ever music video for it as well. This is my personal reflection on Sorie Kondi’s original message, integrating footage from his video, and my own from New York and Freetown. I hope you enjoy.
Africa at the 2012 Berlinale
The London film world (and its media) have been turned to the 2012 Berlinale. As film critics and journalists flock to Germany for the annual festival, complaints about the Teutonic cold are routine, as are the proclamations heralding a new masterpiece of world cinema. This year’s programme featured a few interesting releases by African directors.
Music Break. Kaba Blon
Thinking about Mbalax Dub, got me wanting to share some more of Kaba Blon. It doesn’t seem like they have uploaded anything online yet, and the only song available for purchase I believe is Moribayassa. But, Mo Laudi was playing me some more of their tracks the other day. He had gotten them from a Malian friend in Paris.
Yasiin Bey, ladies and gentlemen
The rapper formerly known as Mos Def’s take on the Jay Z track with his own song, ”N****s in Poorest.”
Azonto Germany
So apparently there’s more to the Ghana-Germany connection than the Boateng boys. I think the above Azonto rave in Hamburg this past January is proof of that. It’s perhaps an illustration of some of the points we were trying to make about diverse histories and orientations of African pop, the diaspora, and its international dissemination. If anything it is an illustration of the speed with which culture travels now.
An interview with the makers of ‘Quel Souvenir,’ a film about an oil pipeline between Chad and Cameroon

Twelve years after ground was first broken on an oil pipeline between Chad and Cameroon, the documentary film, Quel Souvenir explores the impact of this World Bank sponsored project on local communities from inland Chad to the Cameroonian coast. While the World Bank and oil companies like Exxon and Chevron promised local development along the lines of clean drinking water, school buildings and electricity, the filmmakers find displaced farmers, environmental degradation and local communities left in a state of disarray. Demonstrating a “cautionary tale” of a so-called well intentioned development project gone wrong, the film walks the thin line between presenting the talking heads who can speak to the context and politics of the situation, and everyday farmers, fishermen and families that live day to day with the consequences of the project. The film is currently in its final stages of post-production. Last summer I saw a rough cut of the film here New York City and asked the director Danya Abt (DA) if I could interview her. Together with one of the film’s executive producers, Valéry Nodem (VN), they answered my questions. Before we get to the questions and answers, here’s the trailer. [Read more...]
Music Break. Jeri-Jeri
Berlin based Dub and Techno producer Mark Ernestus (check his previous work with Rhythm and Sound) fell in love with Mbalax (how could you not?), went to Senegal, found a band, and produced a collection of songs for release on Honest Jons records.
The first release is Mbeuguel Dafa Nekh from the group Jeri-Jeri (led by Bakane Seck) featuring Mbene Diatta Seck. Since I’ve been experimenting with my own ideas of Club-Mbalax, the Mbalax Dub version has got me too excited!
