Thrones no one wants to sit on

Gonçalo Mabunda’s chilling constructions are now on display at the Jack Bell gallery in London. His thrones (above) and faceless masks (below) are made from weapons used in Mozambique’s civil war. These designs make dark mockery of ergonomics: you wouldn’t want to put these masks on your face. There is some uncanny resemblance to Modernist assemblages, and the gallery notes make a connection with Cubists. An instructive comparison is Jacob Epstein’s The Rock Drill (1913-15), a prophetic monument to the horrific potentialities of modern industry. Mabunda’s work suggests a similar comparison, between the intensive wastefulness of war and the difficulties of post-conflict community projects. Above all, it seems a grim satire on the useless objects which adorn bad leadership. [Read more...]

“There is nothing left” in Alexandria


The emigrants Céline Condorelli interviewed about their past lives in Alexandria, Egypt, often arrived at this conclusion: “Il n’y a plus rien [There is nothing left].” Condorelli, an artist of Italian and Egyptian descent currently based in London, found that Alexandria was experienced, even in the classical age, as a a city “that has been”. She sees melancholia in the architecture of a place which constantly figures inevitability of its destruction. This idea, she recognizes, has implications for the city’s current inhabitants. “There is always a shadow in statements like this, I wanted to look in the shadow.”

[Read more...]

Arab Women Filmmakers in Berlin

‘A Game’ is a short fiction film from 2010 by Sudanese director Marwa Zein, based on Italian novelist Alberto Moravia’s story ‘Let’s play a game’. Zein is one of the ‘Arab Women Filmmakers’ whose work will be screened and discussed at the Cervantes Institute in Berlin (with many of the directors attending). Other (older and new) films and directors are: Forbidden (Amal Ramsis), Kingdom of Women (Dahna Abourahme), Neither Allah, Nor Master (Nadia El Fani), Letter to my Sister (Habiba Djahnine), Damascus Roof and Tales of Paradise (Soudade Kaadan) and Lemon Flowers (Pamela Ghanimeh). A great selection. The series started earlier this week and runs till March 6. Details here. Trailer for the ‘festival’ here.

Marrakech Biennale looks North

Kicking off this week is the 4th Marrakech Biennale. The opening days will see performances, debates, talks and screenings as well as the opening of the main ‘Higher Atlas’ visual arts exhibition. “Through partnerships with African and international voices,” the Biennale hopes to “promote the status of the artist and contemporary culture in North Africa and to dynamize the regional creative scene.” Looking at the list of artists participating in the Higher Atlas exhibition, one could get the impression the intended “dialogues that [will] produce new, consensual realities” will most likely reflect a North Atlantic triangular reality with a tiny Moroccan base, since most of the contributing artists are European or American. The Moroccan artists that were included are Younes Baba-Ali, Faouzi Laatiris and Hassan Darsi. South of Morocco, they seem to have only found one artist: Pascale Marthine Tayou. So much for the African voices. [Read more...]

Exhibition. Millennium Magazines

At the MoMA, the Millennium Magazines exhibition aims to show a “survey of experimental art and design magazines published since 2000 [exploring] the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text.” The list of magazines on view is long and while it is true that it represents “a broad array of international titles”, it is also true that most are US- or Europe-based — with a few exceptions, Chimurenga being one of them. The exhibition runs until May 14.

BBC’s Special Focus on Africa

To mark 80 years of international broadcasting, the BBC World Service is hosting a day of live programming today. And we’re part of it. During the 5-6pm time slot (that’s 5-6pm GMT; 12-1pm EST) Focus on Africa will take a look at “the creative energy and entrepreneurship coming out of Africa.” Some topics up for discussion are: Whether the world still needs an international broadcaster; What is the role of the BBC?; What are the stories the BBC should cover, and the voices you should hear?; What values and ideas do we all share, and are these the same as our audience?

Sean Jacobs will be guest editing the program (and repping Africa is a Country), looking at the role social media has played in news reporting. He will be joined by blogger Tomi Oladepo.

Twitter handles to follow and participate in the discussion are @BBCAfrica, @BBCAfricaHYS, @bbcworldservice and @AfricasaCountry.

* Update: you can now listen to a recording of the program here.

The Ungovernables

It seems rather arbitrary to pick out the African artists from ‘The Ungovernables’, the New Museum’s triennial show. The first thing that appears (if, like me, you start on the fifth floor and work your way down) is a neat stack of Zimbabwean billion dollar bills, put there by Thai artist Pratchaya Phinthong. The show brings together thirty-four different individual artists and collectives. All the artists were born in the 70s and 80s, but beyond this the curation refuses to place the diverse works in any categories.

[Read more...]

London calling … to the faraway towns of Somalia

Talk about efficiency, how’s this for a developmental scheme. First, encourage, both directly and by ‘principled non-engagement,’ a civil war in a mineral rich area. Make sure thousands are displaced, especially the rural populations. Help to build so-called refugee camps which are located a great distance from everyone’s homes and which are places in and around which women and girls become ever more vulnerable, ever more intensely vulnerable … in every way. Let that simmer for a while. Then convene a conference of experts and saviors, not to be confused with Ngugi’s feast of thieves and robbers. No, this will be a serious conference of ‘people who care’. Be sure to invite everyone who’s anyone which means exclude anyone who’s nobody which means be very selective in whom you invite. Meet for a couple days, not in the country under discussion, of course. That would cloud your objectivity. You can care from faraway. Announce that this is an opportunity, that the natives must buck up and reform. Announce that the time has come to talk of cabbages and kings — but definitely not queens or princesses of any sort. Then close the conference and declare that, this time, they got it right. [Read more...]

The ‘football riot’ in Egypt


Since its founding in 1907, Al Ahly S.C. has been known as ‘the people’s club,’ representing resistance against the many forms of colonialism that have long plagued the African continent. Initially the first sporting club to allow Egyptians to join, Al Ahly remains the most popular of Egyptian teams, wearing to this day the red kits that honour the pre-colonial Egyptian flag. It is no great surprise, then, that Al Ahly Ultras – officially founded by Mahmoud Ghandour in 2007 (who is reported to have died in Wednesday’s violent attacks) – were on the front lines of both the initial “#Jan25” uprising and the continuing movement intended to topple the Supreme Council of Armed Forces (SCAF). Egyptians inspired by Tunisia and over 30 years of corrupt governance have utilized every resistance tactic at their disposal, including the well-organized and nearly fearless ultras.

[Read more...]

Afro-Spectacle


On February 1st, I will be participating in the Afro-Spectacle hosted by my Dutty Artz brethren. [Read more...]

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