Nineveh, published late last year, is the latest book by South African writer Henrietta Rose-Innes. It’s a strange and apocalyptic tale about a swarm of insects which overruns a luxury housing development outside Cape Town, causing mayhem and destruction. A pest remover – named Katya Grubs – is called in but finds she has much more on her hands than just the bugs. Rose-Innes is a past winner of the Caine Prize for African writing and the SA PEN literary award. She is author of Homing (2010), an anthology of short stories, as well as two other novels: Shark’s Egg (2000) and The Rock Alphabet (2004). Nineveh has received widespread critical acclaim for the quality of the writing as well as the way it deals with contemporary political and environmental themes, with one reviewer calling it an innovative blend of the comic, the gothic and the social realist. I asked her 5 questions. [Read more...]
Sending South African miners home to die

Epidemiologist Jonathan Smith is working to complete a documentary called ”They Go to Die,” about the lives of four former mineworkers that were sent home from the mine after contracting TB and HIV in the South African gold mines. The men–like thousands of men each year–are affected by a process known as ‘sending them home to die’ that occurs in the South Africa mining industry, where migrant men who become sick with TB are sent home with little or no continuation of care, follow up, or chemotherapy (despite the fact that medical care is available on the mine premises).
Helen Zille’s ‘AIDS Gestapo’
Just as South Africa is recovering from the havoc wrought by former President Thabo Mbeki’s AIDS denialism, now there’s a new politician spouting all sorts of nonsense – this time it’s Helen Zille, the leader of the opposition Democratic Alliance. She’s been active on Twitter and in the media, calling for the criminalization of HIV transmission, and saying the state should not have to pay for treatment for those who contracted HIV through irresponsible behavior. She also recently held a lottery, where people who volunteered to get tested for HIV could win a large cash prize.
Zoo City to be turned into a film
Zoo City, the award-winning novel by South African Lauren Beukes, is to be turned into a film. Producer Helena Spring, also a South African, won the rights, and will be looking for a director.
Spring’s credits range from the Oscar-nominated “Yesterday” and “Red Dust” (a not so good courtroom drama about the Truth and Reconciliation Commission) to the silly, but lucrative, Leon Schuster comedies Mama Jack (he’s in blackface for most of the film) and Mr Bones. Her most recent film is “The First Grader”, which is winning awards all over the place. So she seems to be in good company with Beukes, who earlier this year won the Arthur C Clarke award for Zoo City. The book also won a British Science Fiction Award for best art work – for designer Joey Hi-Fi. It is a great cover – far better in my view than the one on the North American edition.
Zoo City is a ‘cyberpunk thriller’ set in an alternate Johannesburg, where criminals or those who have serious moral failings, get landed with an animal familiar as a permanent attachment. They also get the added benefit of a psychic power. The book’s protagonist is Zinzi December, a former journalist and drug addict, who ended up with a sloth on her back after causing her brother’s death. She spends her time writing copy for 419 scam emails until she gets roped in to searching for a missing singer (her talent is being able to find lost things).
Mobile phones and the new ‘digital divide’
By Brett Davidson
Mobile phones are often touted as the solution to the digital divide, and the answer to a range of development problems. There is undoubtedly a huge growth in mobile phone access in the developing world, and the possibilities this presents are indeed exciting (innovations in mobile banking and mobile health are just two areas where new services are transforming people’s lives).
But these positive developments should not blind us to a range of problems and concerns (such as research in poor communities showing that expenditure on mobile phone use often comes at the expense of other needs, such as food). Two recent articles highlight the fact that the digital divide is very much still with us, and in fact new kinds of divides may be opening up.
In a paper published by Audience Scapes, Gayatri Murthi acknowledges the unprecedented proliferation of mobile phones in the developing world (the developing world’s share of mobile phone subscriptions increased from 53% in to 73% in 2010; mobile phone subscriptions increased by 16% in the developing world last year, as opposed to 1.6% in the developed world) – but she goes on to show that gender and income disparities mean that by no means everybody is able to reap the benefits of the growth in mobile penetration.
In South Asia, Africa, and the Middle East, men are much more likely to have access to cell phones than women. In Sub-Saharan Africa, where the ‘mobile divide’ is slightly smaller than in the other two regions, a woman is 23% less likely to own a mobile phone than a man. Unequal educational opportunities present another divide. For example, 93% of Kenyans with formal education had access to a mobile phone, as opposed to 50% of those without. Since a higher proportion of men than women have access to formal education, this reinforces the gender imbalance.
Furthermore, according to Murthi, women are less likely to receive information via mobile phone, relying more in interpersonal communication. This challenges assumptions that new technologies are in and of themselves, going to democratize the information environment.
What’s So Funny
Cartoonist Andy Mason recently published a history of the art form in South Africa. What’s So Funny? Under the skin of South African Cartooning is the only book of its kind that traces the origins and development of cartooning in South Africa, and its political place in the socio-political context. We send him some questions.
A history of the world?
This is an interesting little video, presented as a history of the world according to Wikipedia. They’re right it is a history, not ‘the history’ Some say it shows how Eurocentric Wikipedia is. Yes, but that in turn just shows all sorts of other things: who has internet access and time to write Wikipedia articles, the Eurocentrism/ West-centrism of much of the history we learn, and so on and so on. Whatever the conclusions, it’s a great exercise in data visualization.–Brett Davidson







