Hello! Boima here, and I’m back helping out with the Friday music break. A Haitian Rara (not Ornette Coleman) sampling rap/poem by Hyperdub affiliate The Spaceape got me excited this week, so that’s my lead off pick — above! Not only do the U.S. and China have political happenings this month, but Sierra Leoneans go to the polls next week as well. Bajah and the Dry Eye Crew put out a song appealing for peace amongst young people, who are often conscripted by politicians to carry out violence during election periods. Back in Sierra Leone, the musical messages to hold politicians accountable reassuringly continue:

Meanwhile a young diaspora Sierra Leonean is making noise in the U.K. with an electro-pop sound and Nikki Minaj-esque video:

M.anifest releases a NICE neo-Hiplife video with the beautiful Efya off his album Immigrant Chronicles: Coming to America:

His countryman Sway goes full Akon this week, dropping a video for an electro pop collabo with Mr. Hudson and Crystal Waters! But I can’t help wonder, what happened to Up Ur Speed Sway?

Awadi goes to Medellín, Colombia to sing about revolution. I wonder if the FARC is in on this:

Which reminds me that I had the pleasure to spend a weekend with Medellín based, Pacifico reppin’ Explosión Negra in Philadelphia recently:

New high quality Liberian video for a not-so-Hipco rap:

I’m realizing that I kind of over-Hip Hopped this Music Break, so here’s a nice change of pace from Portugal based singer with Cape Verdian roots Dino D’ Santiago featuring Pedro Mourato and Gileno Santana:

http://www.youtube.com/watch?v=Xmy04YmbpAw&w=560&h=315

And finally, London based A.J. Holmes, who’s learned from and collaborated with musicians from classic Sierra Leonean bands like Super Combo and the S.E. Rogie band, goes to the sea:

Further Reading

And do not hinder them

We hardly think of children as agents of change. At the height of 1980s apartheid repression in South Africa, a group of activists did and gave them the tool of print.

The new antisemitism?

Stripped of its veneer of nuance, Noah Feldman’s essay in ‘Time’ is another attempt to silence opponents of the Israeli state by smearing them as anti-Jewish racists.