It’s been a long time coming. The case that was opened in 2007 by Bienvenu Mbutu Mondono against the publishers of Hergé’s ‘Tintin in the Congo’ (published in some languages as ‘Tintin in Africa’) finally got its hearing at the Brussels court yesterday. “The problem is not Hergé’s,” Mondono’s lawyer told the press. “The problem is the commercialisation of a comic manifestly spreading ideas that are based on racial superiority.” The publisher’s lawyer warned a ban would be like opening Pandora’s Box. “What with the anti-Semitic passages in Dickens’s work? Mark Twain? The Bible?” It’s unlikely the judge will forbid the future publishing of the comic outright. Settling for a warning (like the English editions carry these days) sounds more probable. After being postponed several times, the case should come to a close later this year. That’s when Spielberg’s Hollywood version of Tintin will hit the theatres here. Timing is everything.

Further Reading

Goodbye, Piassa

The demolition of an historic district in Addis Ababa shows a central contradiction of modernization: the desire to improve the country while devaluing its people and culture.

And do not hinder them

We hardly think of children as agents of change. At the height of 1980s apartheid repression in South Africa, a group of activists did and gave them the tool of print.