It would be difficult for me to write this post without revealing my excitement at discovering the talents of Sierra-Leonean, American, Atlantian, New Yorker filmmaker Nikyatu Jusu. After seeing her work, it almost seems like films that I had been wishing into existence my entire life have suddenly materialized. I selfishly (reppin’ Salone) cheer Nikyatu on as her emergence in the public spotlight has come as an answer for many unrealized personal visions.
I had first heard about Nikyatu when her film “African Booty Scratcher” was screened on HBO a couple of years ago. I didn’t get to see the film then, but it is now available to watch online. Shot in New York, “African Booty Scratcher” recounts the touching tale of the cultural struggle between an American raised teenager and her African mother, and covers the conflicts within generations, cultures, and gender in a short uncomplicated narrative.
While immigrant narratives in the United States tend to center around the issues of the Latino communities mostly, other communities are often left out of the conversation. The only representation of the African immigrant experience in the U.S. I can remember growing up was in (yes) Coming to America. It’s a heartening sign that new voices are emerging that will provide reference points for young people going through similar struggles around the world, from the U.S. to places like Australia and Germany.
Nikyatu’s New York University thesis film, “Say Grace Before Drowning” (trailer at the end of this paragraph), continues her exploration of identity in the context of contemporary global migration. This time, she takes the story into darker and more mature territory. The film is about the struggle of a war traumatized mother to adapt to a suburban American lifestyle. Jusu again uses a simple narrative to illustrate issues that reverberate across multiple worlds and experiences, and shows how problems that originate in another part of the world can surface in even the most seemingly benign locations. What we realize by the end is that no place is neutral.
While motivated by wanting to create positive portrayals of black women on the screen, Nikyatu’s stories will resonate with anyone who sits firmly between multiple worlds. And maybe what’s most important is through her artistic work, Jusu and other contemporary artists working from an underrepresented perspective are able to create a space for new realities in a world that would rather erase our identities than confront the inequalities infused within our contemporary global society.