Exhibition: African Women in Movement

To celebrate the 6th Anniversary of Sauti Yetu Center for African Women, the Center and the Brooklyn College Women’s Studies Program present Shift: Images and Narratives of African Women in Movement.

Shift attempts to reframe the popular perception and image of African women in the United States. This mixed media exhibit showcases internationally acclaimed artists and New York based representatives of the diversity of the African continent who hail from Ethiopia, Nigeria, Ghana, and Egypt. The images and artwork displayed in this exhibit offer a window into the experiences of African immigrant women as they shift, challenge and negotiate the complexities of their lives. AIAC’s Anni Lyngskaer met with curator Bianca Mona (video above) to talk about the exhibition.

Details of a “Meet the Artists” event at the Gallery tonight:
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What’s Kenya Got To Do With It?

That was our second question. Our first was, “What is this?” The answer to the latter is Music for RAIN (Replenish Africa Initiative), a Coca Cola-backed project described as the “music community’s response to the problem of access to water in Africa.” By the music community, they mean Solange Knowles, Chris Taylor and Twin Shadow. As you can probably guess, our third question was “Who?” No matter, for this is Africa.

Which bring us back to our first question.

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Poetry Radio

Although it was only launched a year ago, Cape Town-based Badilisha Poetry Radio is rapidly building itself an impressive on-line database of weekly podcasts featuring new voices and poetic genres. “(Their) intention is to platform who and what Africa has to say to itself and the rest of the world.” Hosted by Malika Ndlovu (introducing the radio in the video above), they are “constantly seeking new poets to showcase and would therefore welcome recommendations of Pan-African poets that are not yet featured.” Visit their website.

ZAM Goes International

You know we like the Dutch magazine ZAM. The promised English edition is (almost) here. As a sneak peek, they’re giving us this ‘digital introduction’

‘Cameroon is Cameroon’

CORRECTED VERSION:

Cameroon’s government, jittery about the role of social media in revolutions in North Africa, last week suspended Twitter SMS on a local cellphone network. Not everyone are convinced social media will play a decisive role in any opposition movement against President Paul Biya’s 28-year regime. Instead they cite the regime’s ability to divide and buy off opposition figures, police repression, his overseas PR (see the picture above also),  and the opposition’s tendency to handicap itself, as more important factors. Observers (I asked around, read the country’s English press, and checked out Cameroon-themed blogs and news sites for the last two weeks) point to the February 23 national day of protest as a good example. Biya’s government has failed its citizens (40% of Cameroonians live on less than 1$ per day; half of the country’s people do not have access to drinking water, 50% have no access to electricity or to a flush toilet), and they may have expected thousands to turn up in major cities like Douala and Yaounde. A massive police presence and early arrests–before the protests even got under way–put paid to well laid plans. In the port city of Douala police outnumbered protesters. Police wasted no time to attack protesters. Opposition leader Kah Walla was sprayed with a water canon from an armoured vehicle.  Others got it worse. Some protesters were viciously beaten with batons and kicked around. See video footage and images taken with a cellphone camera of Cameroon’s police at work.  The protests were handicapped from the start. The national leaders of the two largest opposition parties did not endorse the protests, distrust Kah Walla (she used to the president of the strategic committee of one of these parties, the SPF, before she announced she’d run for President of Cameroon in this year’s elections; the SDP’s octogenarian leader John Fru Ndi did not like it; she’s been called a “young lady” by an opponnent (just what Biaya prefers). Regional politics also play a role: most English speakers see no part in reform politics. There is consensus that Kah Walla, who is only 46 (Fru Ndi is 70 and Biya 78) may not be as embedded as the traditional opposition; what they do agree on is her courage and defiance in the face of incredible odds.

‘Mapping Africa’

This is brilliant. The BBC, working with the Royal Geographical Society, has posted an audio slideshow showing how the continent’s been depicted on maps from the 14th century onward. A few highlights: we get one theory how the continent got its name from a tribe of Berber who lived in what is now the Sudan, early Jewish presence in North Africa; and that the South Atlantic was known as the Aethopian Sea. We also notice the rich and detailed maps of Africa in the 17th century–drawn with the aid of Africans–as opposed to the deliberately more sparse, color-coded maps of the late 19th and early 20th century that facilitated colonialism. The maps will be exhibited at “Rediscovering African Geographies” at the Royal Geographical Society in London between 22 March – 28 April 2011.

See the audio slideshow on the BBC website.

H/T: Suren Pillay.

The Prophet Karl Marx

The London Review of Books.” has Terry Eagleton reviewing British historian Eric Hobsbawm’s new book How to Change the World: Marx and Marxism 1840-2011.

Eagleton notes that the book is “… the work of a man [Hobsbawm] who has reached an age at which most of us would be happy to be able to raise ourselves from our armchairs without the aid of three nurses and a hoist, let alone carry out historical research.” ( Hobsbawn was born in 1917 in Alexandria, Egypt.)

Eagleton at least disagreed with Hobsbawn’s assertion that Gramsci “is the most original thinker produced by the West since 1917.” (Eagleton prefers Walter Benjamin.) And there’s the small matter of Marx’s global influence:

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‘Political Art’

Negar Azimi, in Frieze Magazine, on what the ascendency of ‘political art’ means for art’s actual engagement with politics in the industrial north:

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Jonathan Jansen’s Burden

Coinciding with a senior government official in South Africa channeling the views of Apartheid ideologues about race, the online publication The Daily Maverick Online features a profile of Jonathan Jansen, the current vice chancellor of the University of the Free State. Jansen is a prominent educator and public figure (and prolific writer) in South Africa, known for his reconciliatory approach to social divisions.

The profile by the site’s Mandy de Waal–titled “The Beautiful Mind of Jonathan Jansen“–is an interesting portrait of a man who seems to bridge the worlds of ‘white’, ‘black’ and ‘coloured,” still largely separate, 17 years after the end of Apartheid.

Jansen is credited with bringing about a transformation in race relationships at the University of the Free State. Shortly before his arrival, the university made world headlines thanks to a video made by four white students, who filmed themselves humiliating black staff members.

In the article, Jansen narrates how he began addressing the tension and hostility on the campus when he arrived, and how, through a ‘recipe of listening, unwavering moral fortitude, servant leadership and love’, he has succeeded in turning things around – to the extent that the biggest problem now, we are told, is interracial love affairs. Not that the university minds, but students are apparently afraid of going home and dealing with their racist parents.

Jonathan Jansen is an interesting and even admirable figure, and the approach he describes is remarkable. If his account of the turn-around is to be believed, it is an approach that perhaps should be adopted more widely.

Yet de Waal’s article is worrying in some respects and may say less about Jansen and more about liberal politics in South Africa.

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Flying Overseas

I am not cool like Theophelius London. I don’t wear nice, patterned shirts. Solange Knowles* doesn’t want to hang out with me. But sometimes I fly overseas.

* Bonus fact: My 5-year old is cool: Solange is her favorite grown-up singer.

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