Naipaul loves the cats

In the latest issue of The New York Review of Books, novelist Norman Rush reviews V.S. Naipaul’s new book on African belief systems, “The Masques of Africa.” Naipaul, it seems, got very upset at how Africans threat some animals:

Trying to figure out Naipaul’s foundational worldview is too hard for me. It’s a secret he works to keep. He strews around all manner of conflicting clues. Is he an Empire Loyalist? Not really. Not if you read his columns of acidic comment on modern England published in the Illustrated Weekly of India in the 1960s. And not if you read his The Loss of El Dorado (1969), a powerful indictment of the settling and ravaging of Trinidad. Is he a champion of the insulted and injured? Sometimes, with reservations—and often he forgets that their poverty is making somebody up the pyramid happy and rich. He has written in praise of the fundamentalist ideology of Hindu nationalism …[But] I don’t know. He is passionately against cruelty to animals. One can be certain of that.

Picture the Children


In December 2009 the photographer Emmanuel Andre and filmmaker Stephanie Wang Breal went on a trip to South Africa as part of the charity, Room 13 to teach photography to young children at two schools; in Soweto outside Johannesburg and Botshabelo in the Free State Province. Andre and Wang Breal made a book, documentary and exhibition (the pictures have already been exhibited at the Austrian Cultural Center in New York City)–under the title ‘Ubuntu” (I know it’s not a terribly original title) based on the trip.

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I Believe You Can Fly, Africa

Guess who’s back, pinch-hitting for the Africans? R. Kelly! If you liked his contribution to the 2010 World Cup, “Sign of a Victory,” (and who didn’t!?), then you’ll likely enjoy “Hands Across the World,” the track he wrote and produced for new African “supergroup,” One8. And what a group it is: featuring JK (Zambia), 2Face (Nigeria), Alikiba (Tanzania), Amani (Kenya), Fally Ipupa (DRC), 4X4 (Ghana), Movaizhalene (Gabon), and Navio (Uganda).

I just can’t resist a good pan-African collabo. Take ‘em to church, Kells.–Sonja.

Flashmob

The Waka Waka Award*

This may yet become a weekly award on AIAC.

The inaugural Waka Waka Award–name in honor of Shakira–goes to Jack Burkman, “GOP strategist,” who recently decided to insult Ethiopians and Nigerians in a Fox Business News studio “discussion” about closing the United States Post Office–work that out. Watch it here.

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Music Break

Last Sunday against Chelsea, Sunderland’s Ghanaian striker Asamoah Gyan scored his team’s second goal on the way to a 3-0 win over the defending English Premier League champions. As usual Gyan did his victory dance (you could not have missed it during the 2010 World Cup  whenever he scored which was often).  Gyan, of course, can pull off a dance move. Remember he has actually made music.  But on Sunday Gyan’s teammate Boudewijn Zenden felt compelled to join in. Enjoy.

Winnie?

If you’ve got four minutes, here’s the trailer for the highly anticipated (that’s debatable) biopic of Winnie Mandela, starring Jennifer Hudson as the title character and none other than Terrence Howard as Nelson Mandela. It looks cheap and they could at least have gotten the accents right.

This may be the most time I’ll be according this film.

Via

Is This Africa?

Surely photographs are presented to convey a message, and if there’s anything I remember from my introductory photo classes as a youth, is that a photograph is all about the “frame.”  In a post called “How to Photograph Africa“, John Edwin Mason, a photographer and history professor at the University of Virginia, plays with the framing of a photo essay on Africa to question the types of messages that are continually portrayed about the continent.   Mason criticizes Getty Image grant winner Stefano de Luigi’s photo series “This is Africa” by offering the essay up as an example of satire, in the vein of Binyanvanga Wainaina’s “How to write about Africa,” and shows that the way the images are presented reinforces negative stereotypes.

I have to admit Mason had me fooled at first, so if there’s still any question: Stefano de Luigi’s photographs aren’t meant to be a satire, they’re serious, but John Mason’s re-framing is satire, and a brilliant critique of the photo essay!

For more examples of the re-framing of images from Africa in photography, see this post at the Africa.Visual_Media Blog.–Boima

Clichés and Social Truths

I’d be interested in people’s reading of this short video spotted on Youtube, above, which claims to educate Nigerians about their “perceptions” of each other. Since I am no expert on things Nigerian, I asked Jeremy Weate of Naijablog what he thought of it. On his blog he posted the following: “… For me, no matter that it is well done, it does little other than repeat the cliches that everyone knows. That doesn’t mean to say the interviewees are not dealing in social truths: the Yoruba thrive on complexity and ambiguity, the Igbo universe centres on trade and money and the Hausa live in a world structured by Islam. But there is so much more to be said than this. It would have been more interesting to interview members of smaller ethnic groups, rather than rigorously enforce the triangulation.”

’10 things you can learn from a Nigerian’

“One in five Africans is Nigerian and they certainly represent throughout the Diaspora. Much of the time, however, the over 150 million Nigerians in the world are unfairly associated with 419 email scams,” reported The Atlanta Post last month. So to counter this stereotype–and to celebrate the 50th anniversary of Nigeria’s independence this year , The Post listed ten things you can learn from a Nigerian. Like: “How To Make Art A Weapon for Revolution” (that’s the guy above); “How to Own a Major Airport In The Country That Colonized Yours;” etcetera. You get the drift.

The Atlanta Post (Via New School Thoughts on Africa)

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