Since we’re on the topic of Cote d’Ivoire, here’s Ivoirian veteran underground rapper Manusa’s “Dans Mon Pays,” a blistering critique of life under Laurent Ggagbo’s regime. This not Drogbacite. “No dancey … happy, nice melodies, [or] very uplifting” music here.
Gbagbo’s Elections
It’s been 10 years since Cote d’Ivoire’s presidential elections; “… a whole lost generation since the days when Côte d’Ivoire was West Africa’s most prosperous and promising nation.” The last election cycle was postponed indefinitely by the incumbent Laurent Gbagbo (of the Front Populaire Ivorian) when his term ended in 2005. In the meantime he plunged the country into civil war (in 2002). The election will hopefully unify the country’s north and south–divided since the civil war. Expectations are that Gbagbo–who is in a three-way contest with former president Henri Konan Bedie and Alassane Ouattara, a former prime minister–will be re-elected. Quite a cast of characters: Bedie invented of “Ivorite,” a xenophobic policy aimed at excluding immigrants or those from mixed backgrounds (with parents from Burkina Faso, Mali, etc) from political life. Gbagbo never denounced the policy (its cited as a contributing factor to the 2002 northern rebellion against his regime). Only “real Ivorians” were allowed to vote. Ouattara was excluded from running for president in 2000 because he was not considered a “real Ivorian.”
* Don’t expect too much in-depth reporting in English language media about the Ivorian elections. (The latter care more about the US midterms, later this week, and the second round of Brazil’s presidential elections, also today.) Best to regularly check sites like Global Voices or AllAfrica.com. Follow the African Elections Project’s Cote d’Ivoire elections updates on Twitter. There’s also the English services of French language media like Radio France International. Finally a group of local web activists has set up a citizen reporting platform to monitor elections using the Ushahidi platform.
Credit: Cartoon by Le Monde’s Telex.
Golden Ball
Didier Drogba (Ivory Coast), Samuel Eto’o (Cameroon) and Asamoah Gyan (Ghana) made this year’s shortlist for FIFA’s Ballon d’Or Award. Of course Gyan won’t win the prize. Eto’o has a better chance as he won the Serie A, Coppa Italia and Champions League treble last season as part of an incredible Inter Milan team.
Africa is Corrupt
Transparency International’s 2010 report is out. The report, compiled by the Berlin-based group, measures the public perception of corruption in the public sector, covers 178 countries around the world.
Check out the interactive “corruption map”. No surprises: the Third World is winning here, with large dots (the deeper the red, the more corrupt the nation) indicating that the public’s “perception of corruption” in the respective nation is very high.
What’s interesting is that in the nations with the most money in “play”, where there have been some significant financial seismic activity (the Big One that brought down the markets in the past year, for instance), the perception of corruption is low-to-nil.
Achille Mbembe’s Africa
Tom Devriendt
Last week saw the publication of Achille Mbembe’s new book “Sortir de la Grande Nuit: Essai sur l’Afrique Décolonisée” (with a nod to Frantz Fanon’s ‘We must get out of the great night’ – or, ‘shake off the heavy darkness’, as the English translation of The Wretched of the Earth has it). Composed as a long essay, the book strings together critical reflections regarding Africa’s recent past and not-too-distant future. In the above interview, Mbembe talks (in French) about some of the main questions raised in the book:
“I was born in the folds of Africa’s independence and I was brought up in an environment where my grandmother told me almost daily about things that happened during the fight against colonialism. Those children stories are directly linked to the environment in which my child’s imaginary was formed.” The first chapter contains a very personal reflection on his childhood in Cameroon. “I guess I wanted to take the readers along and make them accomplices in a personal experience from which the theoretical and political questions arise for those implicated.” His grandmother also tells him stories out of the Bible, but “I didn’t know what to do with this Christianity” until he read (the theologian) Gustavo Gutiérrez’ book on liberation theology which “allowed me to avoid Marxism and a certain kind of nationalism”.
Kanye West’s Nigerian Inspiration
Neelika Jayawardane
Looks like Kanye’s decision to enlisted the expertise of choreographer Yemi Akinyemi to mobilise the sinews in his 35-minute film, Runaway, will position this surreal fantasy with the best of Nollywood and Noir. The black swan dance – accompanied by Pusha-T’s rhymes, and Italian performance artist Vanessa Beecroft’s Art Direction - is mesmerising, especially the expert leg work of the two principal ballerinas.
African Kids
Community Media and Civil Society
The Media and Culture Concentration in The Graduate Program in International Affairs at the New School invites you to a panel discussion titled:
Community Media and Civil Society: Then and Now
What are the most effective strategies for achieving social and political change through community media?
How is new media advocacy changing grassroots media practice?
Photo: Eileen Perrier
From Eileen Perrier‘s “Red, Gold and Green” Series (1996).





