Guru, 1963-2010

The brilliant rapper Guru, who also recorded as Gang Starr (with his music partner, the equally talented DJ Premier) and known for his series of “Jazzmatazz’’ albums released between 1993 to 2007, died this early week of cancer at the age of 48.

Good obituaries by Guru’s brother in The Boston Globe, in The New York Times by music writer Jon Caramanica and by Oliver Wang in The LA Times.

Rest in peace.

The best way to get a sense of this man’s oeuvre is to download DJ Matthew Africa’s quickly assembled Gang Starr Mixtape, here.

Apartheid in Arizona

What’s up with John McCain’s home state? The state legislature has just passed an immigration law that basically targets the state’s Latino population for random stops and demands of their ID’s. As my man, Siddhartha Mitter, remarked yesterday: Apartheid nostalgics will be pleased to learn that the Pass Laws have been dusted off and reinstated, in Arizona. Separately, they have also given official sanction to the fantasies of “birthers” who claim President Barack Obama was not born on US soil.

Made Siddhartha think of Public Enemy’s 1990 tune “By the time I get to Arizona.”

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Sign Language

I spotted this crude graffiti on a wall of a part-construction site on 12th Street in Manhattan, between 5th Avenue and University Place, a few blocks away from my office. I don’t get it.

Truth and Reconciliation

In Argentina members of that country’s military dictatorship that conducted a “dirty war”) against its people way back in 1978 still go to jail for their crimes (this week actually), while in South Africa Apartheid’s generals and government ministers get amnesty and fat pensions, holiday homes in Wilderness, mansions in Pretoria’s suburbs, find Jesus and wash the feet of their victims or demand huge speaker fees, announce themselves as victims of reverse racism while the black char serves them lunch, or are lauded as statesmen when they finally die. Before you throw the forgiveness card at me, Argentina also had one of those truth commissions.

Sean Jacobs

Kon and Amir goes to Africa

Next week (April 26), Brooklyn’s Kon and Amir will release “Off Track Vol III: Brooklyn, ” which includes remixes of obscure some African, mainly Nigerian, disco from the 1970s.

Here’s a preview.

New Sara Baartman Film

I just finished an essay (with my research assistant Adam Esrig) on new developments in African film–most notably the business model of Nollywood, the emergence of South Africa as a cheap back lot for B-grade Hollywood films and TV commercials, and developments around “Beur” Cinema) for a new book on African cinema. In the process I came across a reference to the work of the French-Tunisian director, Abdellatif Kechiche. He is apparently working on a new film, “Black Venus,” about Sara Baartman, the 18th century Khoi teenager publicly exhibited as a circus freak in Europe and whose sexual organs were prodded and examined by racist French scientists to prove the Khoi’s close relation to animals.

Not much is known is reported about the film except that Kechiche has been working on it since 2008 (when casting began), that he uses mainly non-professional actors and that the film will explore his usual theme of immigration. Also that it should premiere at this year’s Venice Film Festival in September, although that’s not entirely clear from the festival’s website.

Anybody else know more?

Vogue Africa

The photographer Mario Epanya wonders what a “Vogue Africa” magazine would look like. The pictures are beautiful, but do Africans really want or care about their own version of a magazine with a very problematic relation to race and things continental? For some background, see here ), here, here and here.

Oh and here are two more “covers”  of the “magazine”:

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Timeless

This blog does not waste any opportunities to post visuals of Mulatu Astatke performing.

Via Mochilla, where there is a lot of other videos of our favorite artists like Bilal and Jackson Conti.

The World of Tyler Perry

Whatever The New Yorker‘s rationale for commissioning a piece on Tyler Perry, the “critic-proof” producer and director of black popular theater and television (he is a darling of the mainstream), but it is good take on the race, sexual, moral and class politics of this present-day Oscar Micheaux who has formed a lucrative alliance with a big Hollywood studio. For Hilton Als, who wrote the article, there is “no depth of field” in Perry’s characters (who don’t exist in the real world) and he is “not doing the black community any favors” with work that is “intellectually substandard.”  Yet even Als has to concede that Perry is financially successful and has a huge, particularly black working class, following.

The video, above, posted on The New Yorker website, summarizes some of the issues discussed in Als’s excellent essay.

Tribeca Film Festival

I am tired of doing this. Because it is getting predictable. The top-heavy and scattered Tribeca Film Festival starts tomorrow. There’s three Africa-related films on the schedule (correct me if my research was shoddy): a short from South Africa (“Father Christmas doesn’t come here“), a documentary about Rwanda’s genocide and a film that looks like being about the midlife crisis of an American in Cairo (above). There’s also two other films in which Africa is a part-focus (on deaths in child birth and on climate change). I know. Even worse, this is the fourth year (?) that Tribeca decided to partner with ESPN to show sports films. If you’re wondering there’s one sports film with a soccer theme: a film about the connection between the murders of the Colombian drug dealer, Pablo Escobar, and the football player, Andres Escobar, who was murdered 10 days after he scored an own goal for Colombia against the US in the 1994 World Cup.  I know. It had to have something to do with the US. Oh, and these are films already shown as part of ESPN’s 30th year anniversary on television.

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