THE RACE ISSUE

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The Johannesburg weekly newspaper, “Mail & Guardian,” recently published its (annual?) “Race Issue.”  The idea of a “Race Issue” seems odd as a topic in South Africa since race define that country’s everyday.  And it sort of implies, although I don’t think they meant it, that now they’ll get back to reporting other things: We’ll talk about race again next year.

Anyway, I finally had a chance to read most of the articles.

So what can we say about them? Amongst others, there’s a lead article about utterances by ANC leaders; we find out that one white reporter does not want to talk about racism and voted for the Democratic Alliance; that there are nice black people in the Democratic Alliance; and there’s a meandering piece by novelist and educator Njabulo Ndebele about white and black expectations, etcetera.  This is all well and good.  But the relationship between race and class (how it stays the same, or changes), hardly comes up. It is all about identity. And about the preoccupations of the black and white middle classes.

But there were highlights. Especially the piece by journalist Pearlie Joubert.

Read that. Here’s an extract:

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MUSIC BREAK / DIRTY PROJECTORS

I don’t necessarily like everything this Brooklyn group brings out, but I definitely feel this song, “Stillness is the Move,” (released earlier this year) as well as the video shot in Vermont. What’s with the llamas?) by the Brooklyn group.

NEOLIBERALISM FOR DUMMIES

The best 10 minutes of free education you can get from a white guy in a white coat using a blackboard, a pump, a balloon and a wood contraption to explain neoliberalism.

BLACK PEOPLE ALL LOOK ALIKE

This is a clip from MSNC, one of the US cable channels who rarely report real news and has wall to wall talking heads (back home people call them “analysts”) on all the time. This time she invited Jesse Jackson to comment on some ludicrous statement by a big time capitalist who’s happy to take government bailouts to up his own salary. She confuses Jackson with Al Sharpton. Then blames the teleprompter.

This is suppose to be journalism.

THEIR KING; OUR NURSE

This is the kind of story that used to be reported in the West to illustrate how other different from “us” Africans were and how advanced we were. And still is. Come on, their kings work here as nurses. Oh, and its like that movie, “Coming to America,” isn’t it?

WHERE THE WILD THINGS ARE

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No this is not another white, Western stereotype of Africa, but an amazing photo series of a lioness attempting to kill a buffalo in the middle of traffic–well tourist traffic on a public game reserve in the northern part of South Africa. The buffalo eventually got away. Below is the sequence. (Here‘s also a link to a story detailing the whole thing.)

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MUSIC BREAK / CAPE VERDEAN SOUNDS

The new video for the (Connecticut-based) Cape Verdean Shokanti‘s new single.

THE PROBLEM WITH OPERA

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A South African production of the American opera, “Porgy and Bess,” is touring Britain (composer George Gershwin insisted on all black casts and they can’t assemble one in the UK) so the predictable moaning about whether black people care for opera are raised. The Guardian, in an otherwise informative piece today on the backgrounds of some of the cast, has to complain about the South African government’s “… blinkered view, early in the post-apartheid era, that opera was a Eurocentric, whites-only art form that deserved little or no state support.”

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AFRICA, AIDS AND HOMOPHOBIA

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Edwin Cameron, the first openly gay judge on South Africa’s Constitutional Court (the equivalent of the US Supreme Court; try that on the US court) is in New York City next week to receive a prize (The James Robert Brudner ’83 Memorial Prize worth $5000) from Yale University and give two lectures: one on LGBT Rights and a second on “Africa, AIDS, and Homophobia: The Other Epidemic.”  You may remember that Cameron is also HIV positive and was one of the first people to call out former President Thabo Mbeki on the latter’s disastrous AIDS policies.

Here is a link to the event details.

The organizers is billing Cameroon as “… the man who wrote sexual orientation into South Africa’s Constitution.”

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MUSICAL BREAK / DRIEMANSKAP

The new video (posted on Youtube last week) for “Camago,” the first single off the Cape Town hip hop group‘s new album, “Igqabhukil’ Inyongo.” The song, in Xhosa, is “… about the importance of respecting and celebrating your culture and its traditions, even if you are a modern urban youth.” Reminds of Zulu Boy’s aesthetic and sound.

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